Designed by Goudy in 1911 for a book published by Mitchell
Kennerley. An italic followed in 1915. Reproduction rights sold to
Lanston Monotype in 1920 (series 268/2681). In 1924, Goudy added
bold and bold italic styles at the request of Monotype (series
269/2691). The lowercase of the bold was later used with
Hadriano caps. Sol Hess provided Kennerley Open
Capitals for Lanston in 1925. Adapted by Intertype in 1923,
later changing the name to Kenntonian [McGrew 1993]. Kennerley was
cut by Robert Wiebking. There may also have been a bold condensed.
Also cast by Sunity as Bani Series [Reichardt 2011].
Digital versions available from Berthold and, as LTC
Kennerley, from Lanston Type Company. Red Rooster’s
Kingsley and Barry Schwartz’s
More…
Designed by Goudy in 1911 for a book published by Mitchell Kennerley. An italic followed in 1915. Reproduction rights sold to Lanston Monotype in 1920 (series 268/2681). In 1924, Goudy added bold and bold italic styles at the request of Monotype (series 269/2691). The lowercase of the bold was later used with Hadriano caps. Sol Hess provided Kennerley Open Capitals for Lanston in 1925. Adapted by Intertype in 1923, later changing the name to Kenntonian [McGrew 1993]. Kennerley was cut by Robert Wiebking. There may also have been a bold condensed. Also cast by Sunity as Bani Series [Reichardt 2011].
Digital versions available from Berthold and, as LTC Kennerley, from Lanston Type Company. Red Rooster’s Kingsley and Barry Schwartz’s Goudy Bookletter 1911 are based on Kennerley, too.