First shown in wood in 1854 by Wells & Webb. [Shields]
Phototype adaptations include Grover Xenotype
[PLINC One Liner 1971] and
Silverado [Solo: Victorian Display
Alphabets, 1976]
Cottonwood (Adobe, 1989) is a digital
interpretation and used for the sample. Other, less commendable
digital versions include Grover Xenotype (anon.),
Cottage (Corel, 1992), Alamo (SSi, 1992,
AKA Tucson), Dogwood (WSI, 1992),
Cowboy (Bay Animation, 1994), and Lincoln
(Brendel, 1995). With the exception of Grover
Xenotype, these all appear to be derived from Adobe’s
digitization. Italienne (Manfred Klein, 2004) is a
electronically More…
First shown in wood in 1854 by Wells & Webb. [Shields]
Phototype adaptations include Grover Xenotype [PLINC One Liner 1971] and Silverado [Solo: Victorian Display Alphabets, 1976]
Cottonwood (Adobe, 1989) is a digital interpretation and used for the sample. Other, less commendable digital versions include Grover Xenotype (anon.), Cottage (Corel, 1992), Alamo (SSi, 1992, AKA Tucson), Dogwood (WSI, 1992), Cowboy (Bay Animation, 1994), and Lincoln (Brendel, 1995). With the exception of Grover Xenotype, these all appear to be derived from Adobe’s digitization. Italienne (Manfred Klein, 2004) is a electronically condensed derivative and accompanied by Berloos Comix, a variant with added smiley faces.