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Action Force figures by Palitoy

Contributed by William Kenny  on Aug 3rd, 2025. Artwork published in
circa 1982
.

5 Comments on “Action Force figures by Palitoy”

  1. Thank you, William!

    Regarding the Action Man logo: “Action” appears to be in Eurostile Bold. I don’t know about your patchwork suggestion for “Man”. Such a mix strikes me as unlikely. I’d assume the three letterforms either come from a single typeface (and were possibly redrawn, making the identification tricky), or were custom drawn to start with. Not uncommon for logos from the 1960s.

    You suggested Benguiat Frisky for the informal caps inside the starbursts. This typeface comes indeed pretty close, but it’s not a perfect match. I think this is lettering: compare the C’s – they’re all a little different.

  2. For “Man”, Folio Condensed gets us pretty close. Especially URW’s version (Folio Bold Condensed), or rather, the version on which theirs may be based.

  3. That’s a good call.

    The original foundry version was named Folio-Grotesk schmalfett in German, and Folio Bold Condensed in English. Initially, the a had a pronounced tail, see the Schriftenkartei index card. This was revised at some point (alongside the t with the diagonally cut top), cf. the glyph set in a 1976 type book.

    Glyph set for 86 point Folio Bold Condensed by Bauer, in Type and Typography. The designer’s type book by Ben Rosen, 1976

    Here’s a better look at the Action Man logo, reproduced from a 1960s Official Equipment Manual. The a is not quite identical to the one from Folio shown above. A smaller size of the metal type might even come a tad closer. But as I wrote above, there’s a good chance the logo is custom drawn. I’ve added Folio Condensed for now – it’s close, and might have provided the inspiration.

  4. Of course, Eurostile Bold – it seems obvious! I wonder what I was thinking.

    Likewise I concur with your observation that the logo is likely hand drawn. The letters in ‘man’ look like elongated versions of Folio Condensed, as suggested.

    Good call eliminating Frisky. On examination, no two letterforms appear identical. Is it close enough to qualify as lettering derived from a typeface, however?

    Thank you for your wonderful additional research here. Brilliant stuff! I am amazed and humbled at the knowledge on display here.

  5. Is it close enough to qualify as lettering derived from a typeface, however?

    Good question! I’m on the fence. We assign this tag when we are reasonably certain that the lettering artist indeed referenced the typeface in question. The more generic a letter style is, the trickier it is to be sure.

    In this case, there were also other typefaces around that are just as close to the lettering. See this visual comparison of Frisky and Filmotype April (here URW’s digitization). Not to mention the fact that lettering artists employed such casual styles without any inspiration from typefaces.

    And then there’s the question whether Frisky was a plausible source in early 1980s UK. Initially, settings in that typeface were exclusively available from Photo-Lettering in New York, making it an unlikely candidate. AGFA had a digitization by the early 1990s. Did it originate already before, at Compugraphic? I don’t know.

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