Elsa Naude's exhibition at Syndicat Potentiel in Strasbourg, Celles pour lesquelles je n’ai pas encore les mots, follows the creation of a corpus of works recounting her intimate experience of the feminine gender. This personal narrative, transformed into collective complicities, explores the gaps and silences of our language. The exhibition questions bodies, intimacy, and the construction of gendered identities. Etchings, paintings, sculptures, and photographs intertwine as representations of the diversity of our languages.
Designed by Salomé Macquet, this project explores the unspoken emotions tied to womanhood and identity through a delicate interplay of visual art and typography. Using Kalice Regular and Italic (designed by Margot Lévêque), alongside the sans serif David (designed by Émilie Rigaud).