First cast by the Klingspor foundry in 1925, Rudolf Koch’s blackletter design was initially known as Missal-Schrift. It was named Wilhelm-Klingspor-Schrift in honor of the founder who died shortly after its release. The “em” in “Früh em Jan von Werth” is set in caps from Optima. Coincidentally, its designer, Hermann Zapf, began to take an interest in lettering in 1935 when he, at the age of sixteen, saw Rudolf Koch’s memorial exhibition in Nuremberg.