Frédéric Cordier 2010–2022
Frédéric Cordier 2010–2022 was published by art&fiction. Designed by Dual Room and typeset in Maxitype’s Selecta.
From the back cover of the book:
Frédéric Cordier is interested in errors, particularly those introduced into a supposedly infallible system. Parallel to his exploration of seriality, he makes prints dealing with the mechanical aspects of the world and the transformation of nature by human activity. With limited means and a spare selection of techniques, he creates abstract or figurative structures, frames of regularity disrupted by imperfections, landscapes coded like a computer language. This first monograph, edited and introduced by Laurence Schmidin, with essays by Ji-Yoon Han and Sylvain Menetrey, illustrates the breadth of the artist’s process.
