Written by Michel Vianey, edited by Maurice Darmon and designed in Paris by Paule Palacios-Dalens, this is another little gem of a paperback book produced by the small independent publishing imprint 202 éditions. This book is part of the series dedicated to cinema, in particular to Jean-Luc Godard and the Nouvelle Vague movement.
The typography combines lettering from Godard movies with two period correct typefaces and a contemporary serif type family. Peignot (Cassandre, 1937) and Antique Olive Nord (by Roger Excoffon, Olive, 1962) are both used for section titles, subtitles, and other details. Borges (Alejandro Lo Celso, PampaType, 2002, revamped in 2022) are used for body copy.