Alexander of the Herb Lubalin Study Center showed a mostly typographic and entirely black-and-white “Style B” poster made for The Harder They Come. He points out that other promotional posters for the film were done in the blaxploitation style. This post is about the most striking design among those.
The soundtrack album to the Jamaican cult film was released in the United Kingdom in July 1972 by Island Records. A North American release followed in February 1973 on Mango Records. The sleeve design is credited to London-based CCS Associates, with cover art by John Bryant.
The title is rendered in Bottleneck. Tony Wenman’s design for Letraset was brand new at the time: it was issued earlier in 1972, likely inspired by the success of Seymour Chwast’s Art Tone, and most closely following its Boot Black style. The bottom-heavy letterforms were drawn by hand, arranged on an arch, contoured, extruded, and filled with color gradients. Jimmy Cliff’s name got a similarly colorful treatment, with shaded letterforms loosely based on Cooper Black Italic: the initial J obtained a large descending hook, C was streamlined, and the f’s elongated.
This artwork was also used for a poster issued by Island Records to promote the album, and later got adopted for posters made for various re-releases of the film.
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See Alexander’s contribution about the “Style B” poster using Zipper: