Cycles et motos — L’épopée fantastique 1820–1920 Contributed by 205TF on Aug 7th, 2018. Artwork published in 2016. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Brice Tourneux and Samuel Avequin have designed the catalog of the exhibition Cycles et motos — L’épopée fantastique. The typography uses Le François, a typeface created by Damien Gautier. This exhibition took place at the Musée de Compiègne. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Typefaces Formats Books (5886) Topics Automotive (293) Transportation (310) Industrial Design (515) Designers/Agencies Brice Tourneux (5) Samuel Avequin (3) Isabelle Scotta (1) Tagged withdesign history (79)motorcycles (41)slashed zero (45)rotated type (1987)stacked and staggered (344)type on an image (126)French (language) (2228)exhibition catalogs (751)Musée de Compiègne (1)bicycles (49) Artwork location France (2514) Compiègne (1) In Sets Love font (jean-alexandre Jean) (11) Enciclopedia Central (Fernando Prieto) (18) interesting (Diarmuid O Connor) (94) Galerie parallele inspo (Élise Pierrelée) (23) Perfect Match (Lucas Bevilaqua) (135) Formats (Lucas Bevilaqua) (112) 2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920” Florian Mörk says: Aug 7th, 2018 2:28 pm On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar? Florian Hardwig says: Aug 7th, 2018 7:22 pm Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space. Post a comment Name Email – will not be published Website Your response Submit Comment More Le François in use Kolaboranci, Teatr Opole2018Krzysztof IwanskiContributed by 205TF Festin de Babette 2014 souvenir book2014LG2Contributed by Stephen Coles Bahamontes magazine, Tour Special2020Pjotr Grafisch OntwerpContributed by 205TF Sponsor More in Transportation NJ Transit Quiet Commutec. 2014unknownContributed by Alex Tomlinson LIFEBLNCc. 2022unknownContributed by TypeMates Ad for Rotax-Werk1926Photo(s) by ed on Flickr. E.C. Davis, Ticket Agent, business cardc. 1880unknownContributed by Florian Hardwig More in Books Also sprach Zarathustra by Friedrich Nietzsche, Insel Verlag1908Henry van de VeldeOffizin W. DrugulinContributed by Robert Staff Pick La Ciudad by Scientific American (Alianza Editorial, 1969)1969Daniel GilContributed by Florian Hardwig Staff Pick In Vivo, Demeurer en mycélium / Living in Mycelium2023Esther Le RoyStudio Le Roy CleeremansSarah CleeremansContributed by Kasper NordkvistBetter Times (Adèle Gallé)(Sample unavailable) Der Schatz der Sierra Madre / Das Totenschiff by B. Traven (Bertelsmann Club)c. 1980unknownPhoto(s) by Michael Studt on Flickr. More Fonts In Use RS:X windsurfingc. 2017unknownContributed by Matthijs Sluiter Staff Pick Way Out West 2022 line-up announcements2021Leon&ChrisContributed by Gareth Hague Staff Pick Sloi Clothingc. 2019Anatoly GrashchenkoYulia KondratevaContributed by Daria Cohen Staff Pick Daliah Lavi – “Won’t You Join Me?” / “Black Paper Roses” German single sleeve1970unknownContributed by Florian Hardwig Staff Pick
2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920”
On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar?
Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space.