In-use examples from Berthold’s poster specimen for Deutschland, released in 1933–35 in five styles including an uncommon oblique. These exemplary uses show the schmalfett (bold condensed, 1933) which was available in metal in sizes from 6 to 96pt, and larger sizes in Plakadur or wood. Together with Potsdam, Tannenberg, National, Element and others, Deutschland was part of the surge of simplified blackletters issued in the first years of Nazi Germany. Many of them were named and advertised with a nationalist background, and the specimens often are littered with propaganda.
The secondary typeface printed in red (“Ausstellung”, “Kempinski Weinen”) is Fanfare. As Erik Spiekermann notes, it was designed by a Jewish designer, Louis Oppenheim (1879–1936), in 1927. The sans serif caps are from Berthold-Grotesk.
3 Comments on “Deutschland Plakate specimen, Berthold (ca. 1934)”
this is fascinating, and the typeface is beautiful.
i would appreciate if you can help me find a similar font or a type specimen containing all the characters. i want to use it for a student work.
thanks,
Yaronimus
Hi Yaronimus,
there is a digitization by Gerhard Helzel, spanning 3 weights plus a (newly added?) licht (outlined and shaded) style. This information was missing from our typeface page. I have added it just now. Here is a showing from his specimen catalog:
Single styles are €25. The mager (light) is €20. A bundle of mager and halbfett is €40. Helzel’s website may look a tad unconventional, but ordering is pretty straightforward. Send him an email (he speaks English) and pay via Paypal.
The original logo of M. Kempinski & Co. with the seven-pointed star that I had mentioned in the caption to the second image was designed by Karl Schulpig. It is shown together with one of this graphic artist’s more famous creations, the logo for Allianz, in an ad in the Gebrauchsgraphik issue from September 1934.