Designed by S.H. de Roos and issued by Typefoundry Amsterdam in 1912, followed by italic,
bold (1913, named Grotius) and bold condensed (1914)
styles [Reichardt 2011]. Initially spelled
Hollandsche Mediaeval [Middendorp 2004]. Also sold by lntertype
(as Mediaeval) and Manig (Medieval) [Reichardt 2011]. All four styles were
distributed in Germany by Berthold (as Holländische Mediäval)
[VdS].
Digitized as CG Hollandse Mediaeval (Compugraphic;
Linotype
credits Arthur Baker with the revival) in regular and bold. As of
2017, this revival appears to be discontinued. Hans van Maanen’s
Dutch Mediaeval (Canada Type, 2007, used
for the sample) is an extended family in two widths, both in two
weights with italics. It also includes special Book cuts, initials
and ornaments. More…
Designed by S.H. de Roos and issued by Typefoundry Amsterdam in 1912, followed by italic, bold (1913, named Grotius) and bold condensed (1914) styles [Reichardt 2011]. Initially spelled Hollandsche Mediaeval [Middendorp 2004]. Also sold by lntertype (as Mediaeval) and Manig (Medieval) [Reichardt 2011]. All four styles were distributed in Germany by Berthold (as Holländische Mediäval) [VdS].
Digitized as CG Hollandse Mediaeval (Compugraphic; Linotype credits Arthur Baker with the revival) in regular and bold. As of 2017, this revival appears to be discontinued. Hans van Maanen’s Dutch Mediaeval (Canada Type, 2007, used for the sample) is an extended family in two widths, both in two weights with italics. It also includes special Book cuts, initials and ornaments. Hollandaise is an academic revival project made by Marina Mills Kitchen at Yale in 2012 (unreleased).