The logo is composed of a collection of different typefaces that blend together in harmony.

We just launched our new branding and website for our studio, Yellow Fellow. We worked on it for the past year with a team of talented designers and coders. The website's homepage is a playful interactive environment full of thumbnail animations inspired by the studio's symbol – the lemon eye.

We've also created the studio's brand style guide which is also based on the lemon eye symbol. The main typeface is TheBasics, a sans-serif font with a geometric and classic character, featuring varying letter widths that create playful touch and a unique rhythm. It’s used in proportional and monospaced styles. To complement the main font, the serif Abril Titling Condensed is used for longer texts. The website uses Abril Text.

The studio specializes in crafting graphics packages for films and series, building design systems for brands, creating stunning explainers and mind-blowing music videos.

We're passionate about making creative moving content which is wacky and stylish. We use a lot of mixed-media approaches in our style as we believe that taking different elements/ideas and combining them creates new and fresh visuals.

Screengrab from a series of short looping animations

Logo as shown on the website

Menu with selected projects on the website

Screengrab from a series of short looping animations

Screengrab from a series of short looping animations

To celebrate 2025, Max Luxury Packaging sent a colorful calendar to its customers. Each month comes with a different Gmund Colors Matt shade, associated with a silver metallic offset ink. The typeface used for the cover, the months and the days is Scotch Text, created by Neil Summerour and released by Positype in 2017.

The Max Luxury Packaging logo is set in all-caps New Caslon, while Helvetica Bold is used for the day’s digits.

Inspired by the ocean’s symbolic and aesthetic impact, we developed the brand messaging and visual identity for TritonPoint Wealth.

Starting with their logo, the curves and angles of the mark echo the form of the company’s namesake. Deliberately simple and sleek, the monogram’s bold shapes and minimalist application of color create a contemporary, sophisticated feel.

We push their color palette further, favoring cool tones as a direct nod to the ocean theme. Our selected imagery offers the most literal interpretation of the visual identity’s inspiration. Both eye-catching and awe-inspiring, the striking ocean photography helps convey TritonPoint Wealth’s mission: to guide clients through both calm and turbulent financial waters. We balance the imagery’s texture with clean typography and design elements to create a professional, modern impression—with lasting impact.

Cover design for a book about Europe’s rediscovery of geopolitics, from Ukraine to Taiwan, by Sven Biscop, professor in the Department of Political science at Ghent University. It was published by Owl Press, the academic imprint of Belgian publisher Borgerhoff & Lamberigts.

Sitka Aesthetics is a med spa in Sitka, Alaska, providing a conservative but comprehensive approach to facial rejuvenation, meticulously assessing each element of a client’s aesthetic goals. With their philosophy of less is more, Sitka Aesthetics aims to rejuvenate the natural features of each client while aligning with their lifestyle and aesthetic vision.

The visual identity takes characteristics from the town, mixing bold, airy, and symmetrical elements to create a balance between sophistication and playfulness. The logotype is set in Positype’s Scotch Display, a serif font that is elegant with refined details. The typography pairs Kazimir Text, a structured serif, with a clean and straightforward sans serif URW Franklin Gothic. Roboto Mono is used throughout for accents and captions. The typefaces are used across their website and social media campaigns.

Psychedelic Perfume is the title of a hypothetical exhibition at MoMA PS1. It was conceived as a student project at ArtCenter College of Design, focusing on the editorial design associated with a Vaporwave-themed exhibition. It’s predicting that potentially this contemporary subculture, Vaporwave, and its related art, music, and design will be formally recognized by the broad masses – especially by the Millennial generation – in the future.

The project itself not only aims to present a comprehensive research of this unique subculture, but also criticizes the existence behind Vaporwave. It’s a subculture firmly associated with the Internet world, nostalgia culture, and capitalism of the 1990s. Vaporwave, in its essence, is a statement that reveals the broad masses’ reaction to the collapse of the economic bubble such as the 1997 Asian financial crisis.

As the core item within this project, this exhibition catalogue demonstrates the context, history, fact, and anatomy of Vaporwave. The overall design inherits its core aesthetics, such as grid, Greek plaster, palm trees, Asian languages, and 90s computer interfaces. Typographical choices are intentionally made to match the uncanny, psychedelic, technological, and dreamy aspects of Vaporwave.

The duality of softness and sharpness present in Lust and its unique visual characteristic matches with Vaporwave’s overall impression. Kozuka Mincho was chosen as the Asian language typeface, to match the visual characteristics including the thick-and-thin contrast of Lust. While the use of Graphik is intentionally bringing out the neutral perspective from the designer, the choice of Scotch as the text typeface in this book aims to create a sense of scholarly and dated feeling to readers. Since 1990s computer interfaces are one of the major visual features in Vaporwave, Stoxina – which unites the essence of digital typefaces with distinguishing swashes – is a no-brainer choice for details. The one replacement of “Psychedelic Perfume” with Digestive and Druk Wide is only a personal twist for the topic, functioning as a small information indicator as well as a decorative element.

Catalogue and signs for an exhibition on the Seuso treasure – the most significant silver find from the period of the later Roman Empire – in the Hungarian National Museum. The Seuso treasure, a collection of unrivaled beauty and cultural significance, is not only well-known in the world due to its artistic beauty but also its modern history surrounded by criminal activities.

Artúr Molnár