BC Sklonar in use for the poster for Petr Václav’s 2017 movie Skokan. From production company Mimesis:

Skokan, 28 years-old man, finished his stay in prison. He is given the clothes in which he was arrested few years earlier. Outside, in front of the wall decorated with barbed wire, the street is empty. Nobody expects him. In the city where he lands, he has nowhere to go. No house. No work. His family does not want him. Overnight, he decides to leave everything in order to launch his star career, and heads for the Cannes Film Festival.

Director Petr Václav calls Skokan a documentary film with fairy-tale aspects, mainly because of its emphasis on authenticity in telling the fictional tale of a Romani recidivist in search of career opportunities at the Cannes film festival. The main character is played a by real ex-con, Julius Oračko, whom the filmmakers got out of prison on parole shortly before the start of filming. The film was shot with just a rough script, which was fine-tuned on the set. The scenes from Cannes were shot during the festival. The ending, which recalls the liberation of an enchanted princess, again feels like a fairy tale.

[More info on IMDb]

The Sklonar typeface was originally designed exclusively for Zdeněk Sklenář’s gallery at Prague’s Smetanovo nábřeží, as part of the corporate identity conceived by Studio Najbrt in 2011. The exhibiton space is simply called “S”. Two years later however, the gallery, including several works of art, was destroyed in a gas explosion. During the time of its use, the typeface appeared in promotional materials, in exhibitions, and also in artistic publications. But first and foremost, it excellently complemented the clean gallery space created by architect Josef Pleskot.

Instead of typography moderating the visuals, it takes the purple and pink from the pastel. And the typeface Sklonar, originally created for the gallerist Zdeněk Sklenář who organized the exhibition together with the Ludwig Museum in Koblenz, becomes part of the picture.