GT Pressura Mono in use - Fonts In Use

Advertising (1935)
Album Art (3734)
Art/Illustration (471)
Booklets/Pamphlets (2155)
Books (5832)
Branding/Identity (7424)
Ephemera (1116)
Exhibition/Installation (1011)
Film/Video (942)
Infographics/Maps (509)
Magazines/Periodicals (1694)
Mobile/Tablet (852)
Newspapers (260)
Object/Product (1020)
Packaging (2163)
Posters/Flyers (5122)
Signs (1948)
Software/Apps (309)
Web (5004)

GT Pressura Mono

Refreshed in Sep. 2022 as part of GT Pressura 2.0, adding three new weights.

Foundries

Grilli Type

Designers

Release Date

2012

Get the Fonts

Grilli Type

Info

2022 microsite

GT Pressura Mono in use

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Starface2023

Someone & Others

Contributed by we.type fachhochschule potsdam

Never Work With Your Idols by Gideon Kartingc. 2021

Esther de Boer
Coco

Contributed by Edgar Walthert

<cite>Never Work With Your Idols</cite> by Gideon Karting

Super Camerac. 2021

Lucas D’Ascenção

Contributed by Lucas D'Ascenção

Sponsor

The Graphic Design Bible by Theo Inglis2023

Theo Inglis

Contributed by Ben Gardiner

<cite>The Graphic Design Bible</cite> by Theo Inglis

The Community websitec. 2020

Alice Gavin Services

Contributed by Proof of Words

The Community website

Magma, issue 12023

Faye and Gina

Contributed by Lineto

<cite>Magma</cite>, issue 1

Band on the Wall identity2022

Instruct Studio

Contributed by F37®

Band on the Wall identity

Kao Street2019

Mediatics
Kao Street

Contributed by Production Type

2020 Postgraduate Showcase: UAL Creative Computing Institute2020

Moritz Salla
Josh Murr
Conor Rigby

Contributed by Moritz Salla

2020 Postgraduate Showcase: UAL Creative Computing Institute

Collective of Sighs 2020

Look Back and Laugh

Contributed by Altiplano Typefaces

<cite>Collective of Sighs </cite>

Clermont Arms2017

Grandson
Killian Walsh
Jake Heavey

Contributed by Killian Walsh

Svalbard Bryggeri Spitsbergen beerc. 2020

unknown

Contributed by Andreas Seidel

Svalbard Bryggeri Spitsbergen beer

Scène website2019

mischen

Contributed by mischen

Brackley Bay Oyster Co. visual identity2020

Hayley Burns
Furrow Studio

Contributed by Hayley Burns

Brackley Bay Oyster Co. visual identity

How to Be an Antiracist by Ibram X. Kendi, One World2019

Jo Anne Metsch
Wix Playground Academy

Contributed by Florian Hardwig

<cite>How to Be an Antiracist</cite> by Ibram X. Kendi, One World

L’ADN Tendances magazine, N°21, 20202020

Violaine & Jérémy

Contributed by VJ-Type

<cite>L’ADN Tendances </cite>magazine, N°21, 2020

Pinheiros, as várias margens de um rio2017

Polar, Ltda.

Contributed by Polar, Ltda.

<cite>Pinheiros, as várias margens de um rio</cite>

Vega Scene2018

Metric

Contributed by Richard Baird

Scratching Where It Hurts /Dokter Corrie geeft antwoord / De Bonte Zwaanc. 2017

Esther de Boer

Contributed by Edgar Walthert

<cite>Scratching Where It Hurts /</cite> <cite>Dokter Corrie geeft antwoord</cite> / <cite>De Bonte Zwaan</cite>

Radar c. 2017

Order

Contributed by Grilli Type

Radar<span class="nbsp"> </span>

Seleno wines2017

Álex Galiano

Contributed by Álex Galiano

[INSERT LINGUISTIC MESSAGE HERE]2017

Tais Ghelli

Contributed by Tais Ghelli

<cite>[INSERT LINGUISTIC MESSAGE HERE]</cite>

Volksbühne Berlin fictional identityc. 2017

Contributed by Nathan Meyer

Volksbühne Berlin fictional identity

The Not Very Exclusive Sale2016

Andrew Wolfenden

Contributed by Andrew Wolfenden

<cite>The Not Very Exclusive Sale</cite>

Mestizo magazine2016

Camilo Roa

Contributed by Camilo Roa

<cite>Mestizo</cite> magazine

GQ, Oct 20162016

Fred Woodward

Contributed by helvetica bold

<cite>GQ</cite>, Oct 2016

Adelaide Festival 20152015

IS Design + Digital
Voice
DesignLab

Contributed by Gayaneh Bagdasaryan

Adelaide Festival 2015