Poster design by P+A / Showtime Creative

Yellowjackets is an American thriller drama about high school girls’ soccer players who try to survive after their plane crashes in the northern wilderness. The series premiered on Showtime on November 14, 2021.

The font used for the logo is Corner Store JF with some manual edits, including elongated descenders in j and Y, the latter forming an underscore. Corner Store is a handwriting font with strong vintage vibe, made by American artist and typeface designer Jason Walcott. It was released in 2007 by Jukebox Type.

The accompanying sans serifs are Showtime’s standard brand typefaces, Atyp and Antique Legacy.

Poster design by AV Print / Showtime Creative

Poster design by ARSONAL / Showtime Creative

To promote and commemorate the release of Martin Scorsese's The Irishman, Netflix underwent a month-long activation across two cities. An 8-page broadsheet newspaper was produced, taking audiences back to August 1, 1975, the day after Teamster boss Jimmy Hoffa was reported missing to federal authorities.

At showings at New York's historic Belasco Theater, copies of The Irishman Daily were stocked in newspaper receptacles adorned with political stickers from the era. Next to those, interactive phone booths played clips from the film on a small screen when you picked up the receiver.

In the pages of The Irishman Daily, auxiliary stories fill out the world of Scorsese's decades-spanning epic. True crime drama sits among stories of the day, like the MTA increasing subway fare to 50 cents and the Yankees hiring the notorious Billy Martin. Arts and sports pages are filled out with classified listings, standings, and music charts. On the back, an ad paying homage to Frank Sheeran's chosen profession sits below a map guiding visitors to Netflix's Little Italy takeover promoting the film.

The design of the paper drew inspiration from the splashy, photo-heavy New York Daily News, while elements from the Brooklyn Daily Eagle, New York Times and Detroit Free Press influenced the denser interior layout. One anachronistic indulgence is Florian Karsten's Screamer, used only for the front page hammer head. Distressed Futura and ParaType’s SchoolBook round out the headline typography. The newspaper logo is an adaptation of the movie’s logo in all-caps ITC Grouch. Bushwick JNL is used for the word “FINAL” on the left side of the masthead.

Among the fonts used for the ads are Optima (Giovanni I. Russo), Akzidenz-Grotesk Condensed (Jimmy’s Last Stop) and Moret (St. Luke’s).

Corner Store JF, Main Feature JNL and SAA Series for the Secret Guide to Little Italy.

“Have you heard … WE PAINT HOUSES.” is in Rockwell Condensed, with Amboy for “CHEECH’S”.

The text typeface is Bookmania. The classified ads on the right are in Monotype Grotesque and Benton Sans Condensed. ITC Kabel and some Britannic are used for the Fair furriers ad. “Belasco” features Davida and Columbia Titling.

Norman Fucking Rockwell is the sixth studio album from American singer-songwriter Lana Del Rey. Del Rey embarked on a stylised comic-art direction for this release, with an accompanying photo shot by Chuck Grant. The artwork references the 2018 California wildfires and pays homage to Norman Rockwell through the painted sky. Taken as a whole, the album cover uses Biff Bam Boom to underline the camp pastiche of the imagery.

Eschewing the typical “Lana Del Rey” wordmarks as used in previous projects, the cover instead uses a monogram composed of the singer’s stacked initials with a red outline. The typeface and monogram are used elsewhere in promotional material, such as on Del Rey's website or on the US tour poster (shown below). There, the city names are set in a number of typefaces, including Streamline, Binner, House Slant, Pistilli Roman (or similar), and others. The venues and dates use Avenir.