Letterform Archive tweeted these four amazing magazine advertisements by Paul Rand. They are all from a campaign he made for Westinghouse music-related electronic products in 1972. The ads were shown in Graphis Annual 72/73, (the cover of that annual was designed by Massimo Vignelli).

The ads make good use of four distinct typefaces, giving each ad a playful feel. Each letter is treated as an object and this creates a sense of visual rhythm and suggests sound. The names of the four composers dominate each composition and complement the photos of the products that are grounded in the lower half of the ads. The small ad copy blocks, set in Helvetica, create a visual base for the silhouetted product photos to sit on.

In each case, the choice of type, as well as its treatment echo the specific product advertised. The ad set in Thorowgood Italic (Mozart) mimics the bands of the radio. The French Clarendon ad (Chopin) suggests the flip clock feature and the tuning of the radio dial. The use of Bifur in the third ad (Tchaikovsky) nods to the rotation of the hands of the analog clock. The placement of the letters of Superba in the fourth ad (Brahms) could suggest the spinning of the vinyl record.

You can read more about Rand's work (including for Westinghouse) at Letterform Archive’s news announcement.

Updated: Thanks to Stephen Coles for pointing out that paulrand.design recently posted high-resolution images of the ads, courtesy of the Pittsburgh Symphony Archives. This last one uses Onyx.

Semiotica by Charles Sanders Peirce, Einaudi Paperbacks 115

The book covers for Giulio Einaudi Editore’s Paperbacks were designed by Bruno Munari. The series was started in 1969 and included essays by Theodor Adorno, Gianfranco Contini, Jacques Lacan, Cesare Segre, Ludwig Wittgenstein and others.

Several volumes with texts by Max Horkheimer, Einaudi Paperbacks 7, 53, 87, 104, 124.