Screen-printed poster for Highgate Continental’s annual Record Store Day party in Perth, Western Australia. The main information uses all caps Neue Haas Grotesk, supported by William Caslon Text. “2019” uses Crayonette DJR.

The Untold Story of How a Band of Bartenders Saved the Civilized Drinking World

Penguin Random House:

[…] the first-ever book to tell the full, unflinching story of the contemporary craft cocktail revival. Award-winning writer Robert Simonson interviewed more than 200 key players from around the world, and the result is a rollicking (if slightly tipsy) story of the characters–bars, bartenders, patrons, and visionaries–who in the last 25 years have changed the course of modern drink-making. […]

The main font use on the cover is not one of the many designed by the author’s cousin. Neither is it Dala Moa. This is the black weight of František Štorm’s St. Croce, a typeface “inspired by worn-out letterings on tombstones in the St. Croce basilica in Florence.” [Storm Type Foundry] Santa Croce was Ksenya Samarskaya’s pick for Typographica’s Favorite Typefaces of 2014. Cover designer Christopher Brand used it in all caps, paired with the (small cap) lowercase of Sackers Gothic.

The interior was designed by Lizzie Allen, who also did the production. She combined Williams Caslon as main text face with Drescher Grotesk for chapter headings, lead-ins and ingredients, and perfected the mix with Caslon 224 Bold Italic for the cocktail names.