Filmotype Fleet in use on the debut album of Jackie Wilson (1934–1984). Nicknamed “Mr. Excitement”, the singer from Detroit was “a prominent figure in the transition of rhythm and blues into soul”. According to Wikipedia, “[h]is performance style is often cited as a significant influence on contemporary and later artists such as Elvis Presley, James Brown, and Michael Jackson.” Wilson’s career was cut short after suffering a heart attack during a performance in 1975.

[More info on Discogs]

Everybody Loves Somebody is an album by The Cheltenham Singers, released in 1964 by Wyncote Records. The title is set in all caps using Filmotype Ranger. And “Stereo” appears to be using Filmotype Fleet, also in all caps.

[More info on Discogs]

Starting in 1962, the Firestone Tire and Rubber Company issued a series of seven annual Christmas albums. From Discogs:

The first three albums in the series were produced by Forrell, Thomas & Polack Associates, Inc. The last four, by Forell & Thomas, Inc. The manufacturer of the records is not identified explicitly. But based on the data printed on the labels and inscribed in the runout of the records, volumes 1, 2, 3 ,5 and 7 were manufactured by the custom records division of RCA Records, and Volumes 4 and 6 were manufactured by Capitol Records.

While the initial release was titled “Favorite Christmas Carols”, the following albums were named “Your Favorite Christmas Carols”, “Your Christmas Favorites”, and “Your Favorite Christmas Music”. Apart from the changing colors and credits, the basic design is always the same, depicting a large ribbon with mistletoe against an ornamental wrapping paper in the background. The title typeface is Cloister Black.

Other text on most of the covers is set in designs by Filmotype, namely Rodgers, Wasp, and Fleet. Volume 5 is an exception in that it replaces Rodgers with Caslon Bold Condensed – which was carried by Filmotype as “CA51”. Some smaller bits also use the bold weight of Trade Gothic Extended. Lastly, the text on the golden starburst stickers is in all-caps Clarendon.

The final volume features a different photo for the ribbon.

Pan Books edition. The type on the bottom appears to be the wide light weight of Eurostile and the same typeface but in a normal width of bold weight.

Two covers for the 1979 edition of British author and screenwriter Douglas Adams’ comedy science fiction franchise: an eponymous novel, published by Pan Books in the UK, and the double LP featuring the four episodes, released by Original Records in the UK and Canada.

The art group Hipgnosis and illustrator Ian Wright were credited for designing the cover for the original British release, which included three Filmotype fonts shown in this example. Also, it was one of these examples of video art used for the design.

First, there was Fleet. VGC then copied the face as C-13 in or before 1972, and this font was digitized by Castcraft in 1990 as OPTIFleet. Omaha (named after a city in Nebraska in the United States, also by VGC as M-15) comes with the big capital letters in the center [edit: it’s Monroe, see comments] and Orlando (copied as G-25) for the back cover.

Front cover of the LP. The title set in Omaha has alternate glyphs for D, N, and P. [More info on Discogs]

Back cover. The text on the left side was set in Univers.