Principes fondamentaux de l’histoire de l’art (“Fundamental principles of art history”) was written by Heinrich Wölfflin and first published in 1915 in German as Kunstgeschichtliche Grundbegriffe. This French edition was translated by Sacha Zilberfarb and published by l’écarquillé. Atelier Tout va bien provided the design.

The body text is typeset in Immortel Acedia by Clément Le Tulle-Neyret, distributed by 205TF, with secondary texts in Ambit by Mark Bloom, distributed by CoType.

Bureau 205 imagined the design and positioning of the “AAA...” (architecture, urbanism, landscape) collection. It highlights the most appropriate spatial responses to the crisis of habitability, the finiteness of resources, strong climatic hazards, increased attention to global metabolism and social justice.

This first title focuses on the approach taken by architectural studio Amas, through a project to convert an existing building in the heart of Villeurbanne’s Autre Soie district.

To design this book, Bureau 205 used the typeface Immortel Acedia and Immortel Colera designed by Clément Le Tulle-Neyret and Yorick designed by Matthieu Cortat; all distributed by 205TF.

De papillons de nuit et de l’échelle de Muybridge / Of Moths and Muybridge’s Scale by Yann Annicchiarico is the second publication in the collection from the Contemporary Art and Historical Temporalities research unit. It is part of a project publishing thinking by contemporary artists. The thinking, developed through visual and sound forms, gestures, and as through dialogue and dialectical exposition, is presented in a distinctive format, with a layout designed by graphic designer Rémi Forte, developed by Juliette Flécheux and set out in a clear and flexible framework. Written language is one element of the collection project. But it remains partial, to be grasped along with the essential elements that complete it: the artworks, accompanied by documentation of exhibitions, archives, and other approaches of thought that the authors develop progressively with the research unit publications.

This collection is composed with the typeface Immortel Infra G2 and Immortel Acedia designed by Clément Le Tulle-Neyret and distributed by 205TF.

See les presses du réel for more information about this book.

For the signage of the exhibition Designed Landscapes — Brussels 1775–2020 at CIVA, Salutpublic (Renaud Huberlant with Olivier Bertrand and Marion Lacoste) used the typefaces Immortel Acedia and Immortel Infra, designed by Clément Le Tulle-Neyret and distributed by 205TF, alongside an unidentified sans serif [edit: it’s Dia, see comments].

This publication is the first monograph dedicated to the work of the Brussels agency Baukunst founded by Adrien Verschuere in 2008.

The book includes texts by Jacques Lafitte, Lynn Margulis, Hans Ulrich Obrist, Dorion Sagan and Adrien Verschuere as well as photographs by ArtefactoryLab, Maxime Delvaux, Julien Hourcade and Thomas Paturet (Atlas of Place).

To design this book, Olivier Bertrand and Olivier Lamy used the Immortel Acedia typeface, designed by Clément Le Tulle-Neyret and distributed by 205TF.

Lithography: Olivier ‘Mistral’ Dengis; Printing: Cassochrome, Belgium; Publishers: Koenig Books, A+ Architecture, Bozar, 2020; 2,500 copies, 22×31 cm, 176 pages.