As a category leader in automotive surface repair, Evercoat’s sprawling portfolio had created a chaotic brand. Hyperquake consolidated the architecture into a tighter, more intuitive structure and streamlined the visual identity through a refreshed packaging system. The transformation was accelerated by a strategic marketing plan powered by social and influencer-led content, performance-driven initiatives, and updated traditional collateral. Together, we brought clarity to complexity—ushering in a more cohesive era for the Evercoat brand.

Set in all uppercase, the modified logotype uses Neue Montreal Medium, a versatile grotesque font that felt right at home in the auto body repair industry for its hard working and understated qualities. The custom O is based on the catalyzation process—the precise filler-to-hardener ratio that activates the product. We refined the mark to highlight this signature detail and reinforce its leadership in the category.

To complement the logo, the packaging system combines multiple weights of Neue Montreal and Transducer—each bringing a strong and no-nonsense vibe to the collateral. Transducer provides strong category cues that was inspired by vintage car ads and livery and speaks to Evercoat’s heritage. Neue Montreal becomes the straightforward, utility font that allows for important detail information to be clearly communicated.

In 2025, Second Melody, a brand agency based in New Jersey, designed the environmental graphics for Students 2 Science’s new Apollo Technology Center. Students 2 Science provides STEM education to students throughout New Jersey.

Transducer was used for the wayfinding, directories, ADA-compliant door signs, and other signage throughout the location.

Lotmore’s logo is custom. It draws inspiration from the transformable nature inherent in the products. The negative space in each letter mirrors the way the furniture folds, while the form has been meticulously optimized for clarity and impact, performing seamlessly across both large and small sizes.

Lotmore is a furniture brand that aims to solve the problem of space utilization in small homes and apartments through highly engineered and functionally designed furniture solutions. Practical and form-changing, they are designed to solve real pain points, so that their customers can thrive in every moment and make space for life. We worked with them to coin the brand name, define a clear narrative that articulates its positioning, and create a distinctive identity and design system that truly embodies the idea of space-saving.

Typography is a foundational pillar in Lotmore’s visual language. Transducer was selected as the headline typeface for its mechanical construction and extended style, bringing dynamism to communication. To balance its boldness, we paired it with Acumin Wide, establishing a clear visual hierarchy and distinction.

Website detail

Website detail

Cover for 8th Day of the Week with art by Strega Wolf Eden van der Berg and typography by Luna P.

8th Day of the Week is a game booklet by Amir/Nada Alami, and published by Plus One Experience for their Zine Club initiative.

Variable width typefaces are used for the cover and interior's titles. The fonts’ weight and, most importantly, width axes were progressively tweaked for individual glyphs and lines to reflect the game’s theme of time blindness and dilation. Nickel Gothic v3 by David Jonathan Ross is used in the cover for its blockier features, which lend a calendar-like appearance to the title. The interior headings alternate and combine Organetto and Transducer, as the weight axes allow for a more pronounced widening and contracting effect.

The rest of the interior is set mainly in Polymath Text (a personal favorite from OH no Type Co), utilized in the table of contents and most of the body.

Mister Pixel Regular by Christophe Badani, an open-source font previously shared through Velvetyne (but now retired), was selected for asides and other details. Its Tools weight, comprising of pixelated dingbats, was used for further decoration, along with Plakato’s Game Dingbats.

From the press release:

(...) MAC VAL (Musée d'Art Contemporain du Val-de-Marne) has undertaken a major investigation into the subject of the “fait-divers”, resulting in a major exhibition bringing together 80 artists from a wide range of backgrounds and formal practices. (...) The inspiration for the theme came from Roland Barthes‘ essay Structure of the Fait-Divers (1964). Described by the semiologist as the “unorganized discard of news,” the fait-divers help us to name and identify the aberrant causalities and coincidental relationships that disrupt everyday life.

The bilingual French-English exhibition catalog for Faits divers was designed by Félicité Landrivon. The typographic design features a range of typefaces, including KTF Rublena, KTF Metro Roman, and KTF Metro Blueline, all by Kyiv Type Foundry. The dot matrix font seen on the cover, the inner flaps and elsewhere is WL Rasteroids by Writ Large. The italic on the cover comes from 205TF’s Exposure, which is also used in upright form for the text inside the book, alongside Fluxisch Else, OSP-foundry’s digitization of the Selectric version of Univers. The monospaced font is GUST’s Latin Modern Typewriter. Credits at the end are set in Transducer by JTD Type. In addition, Landrivon used a few other fonts just once for titles, but these are not displayed here and are therefore not listed.

256 pages, 268 images, 20×27 cm. See more images on the designer’s Instagram account.

The title on the right pairs KTF Rublena with Exposure Italic and handwriting.

Outlined KTF Metro Roman for “Murder is a design hobby”

Text page set in Exposure

The list of contributors on the left combines KTF Rublena with Fluxisch Else.

Latin Modern Typewriter for the description of the MAC VAL, with Transducer for the credits

The alphabetic list of words on the back cover uses all-caps WL Rasteroids.

Branding and web design for Umbra, a space technology company. Inspired by historical NASA branding, the work was done by the in-house design team. Transducer is used for the logo and larger copy while Space Grotesk is used for smaller text.

Super Heavy is a new music project out of Seattle, Washington. The type used for the digital cover art for their first release “Neon Blu” relays the sci-fi feel of synths used on the track, while also being playful in color and composition.

Kickbase is a fantasy sports app and clothing line. Transducer is used for their logo, apparel, and larger type settings, in the Extended Black Italic style. Montserrat is used for copy.

Identity for Pagostas, a guesthouse on the Greek island of Patmos dating back to 1597. London-based studio A Common Purpose used Transducer for the logo and as the primary typeface. It’s supported by Courier.

Illustration by Vassilis P. Georgiou, photography by Yiorgos Kaplanidis.