Homolobby by Krzysztof Tomasik is a vivid narrative that weaves together the lives of a group of men born in the late 19th century, revealing what life was like for homosexual actors in the Second Polish Republic and during the war. The book reveals the backstage of theater, cinema, and cabaret, where themes of non-normative sexuality were subtly conveyed.

The book was designed by Polish book designer Marcin Hernas of studio Tessera. The playful layout combines Ergon for titles and pagination, while the main text is set Dashiell Text.

The World Ocean Day Conference, organised by Fair Seas, brought together ocean advocates, government representatives, industry professionals, and key stakeholders in Ireland. The primary focus of the conference sessions revolved around the designation and management of Marine Protected Areas (MPAs). The aim was to learn from global best practices and collectively map out the next steps for protecting Ireland's oceans.

Fair Seas requested an identity for the conference that would celebrate the ocean, appeal to their target audience and complement their own visual identity. It needed to be memorable and adaptable across multiple print and digital applications.

The ‘World of Oceans’ concept relates to the fact that the ocean covers 70% of our planet and was built around a series of experimental watercolour images. These provided a unique palette of colour and texture and formed the basis of the identity. The vibrancy and character of the images set the tone for the what was a memorable few days.

In 2021, Focus Ireland launched LEAP (Lived experienced Ambassador Programme), which aims to empower people who have experienced homelessness to share their stories, dispel stereotypes and give authentic insights. This helps inform the work Focus undertakes, the general public and policymakers.

Focus Ireland has five ambassadors: Catherine Keenan, Paul Geoghegan, Kelly Ann Byrne, Scott Buckley, and Stephanie Clarke. Since the launch, they have featured in print and broadcast media and spoken to policymakers locally, in the Oireachtas and to EU research groups.

For this project, the ambassadors worked with Dr Maria Quinlan, who guided them through a research methodology called Photovoice—a therapeutic process using photography to help people who have experienced trauma. Through this process, the ambassadors accessed their subconscious thoughts and emotions while experiencing homelessness. They shared found imagery and personal photographs in a group setting and spoke about the feelings they provoked. The book Journey Home is a record of this process.

In the text, the ambassadors describe the process as a ‘very gentle way to reflect on’ their past experiences, and the visual goal was to echo this. The intent was to give the ambassadors a voice, amplify their stories and represent cadence through typographic scale. Some of the photographs in the book were taken by the ambassadors and were not to be edited in any way. This constraint influenced how the images were used in terms of size and placement and further informed the book's design.

The finished piece is case-bound and thread-sewn, contains 128pp at 168mm × 240mm, is covered in grey linen with a white foil title, Colorplan Citrine 270gsm endpapers, printed on Munken Pure Rough 120gsm and set in LL Circular and Dashiell Text.