A contemporary interpretation of 19th-century condensed
Clarendons, instigated and directed by Bethany
Heck and designed by David
Jonathan Ross. A first style, “the thinnest weight from its
widest width”, was released under the preliminary name
Heckendon
Hairline in August 2020 to members of the Font of the
Month Club. A family of ten
(upright) weights from Hairline to Black followed in March 2021,
now named Job Clarendon. Comes with many alternates.
The June 2022 installment brought narrower Hairline styles
(Condensed, Compressed, Extra Compressed). By January 2024, the
family was extended to offer ten weights for all four widths, which
are now named Condensed, Extra Condensed, Compressed, Skyline.
Sophia Tai did a lot of work on the boldest,
narrowest styles, and Jacques Le Bailly contributed to More…
A contemporary interpretation of 19th-century condensed Clarendons, instigated and directed by Bethany Heck and designed by David Jonathan Ross. A first style, “the thinnest weight from its widest width”, was released under the preliminary name Heckendon Hairline in August 2020 to members of the Font of the Month Club. A family of ten (upright) weights from Hairline to Black followed in March 2021, now named Job Clarendon. Comes with many alternates. The June 2022 installment brought narrower Hairline styles (Condensed, Compressed, Extra Compressed). By January 2024, the family was extended to offer ten weights for all four widths, which are now named Condensed, Extra Condensed, Compressed, Skyline. Sophia Tai did a lot of work on the boldest, narrowest styles, and Jacques Le Bailly contributed to the middle of the display space. Also available in variable font format with axes for weight and width.
See also Job Clarendon Text (2024).
