Shown in a c.1966 specimen by wood type manufacturer DeLittle
without trade name, in three numbered
widths; No. 161 (wide), No. 209 (medium), No. 283 (condensed, caps
only). Also offered as bichromatic sets (outline and fill); as No.
162, No. 210, No. 284.
Face Photosetting made a film version named Fancy
(used for sample), spanning all three widths in
solid and Outline variants. The medium width additionally came in a
Rimmed (contour) variant. The Condensed here is caps only, too
[Face c.1981]. In 1989, Solotype showed the
Condensed as Mousehole and the Extended as
Penzance [Circus
Alphabets].
Panache has a digitization as Fancy Extended, in
solid and Outline styles. Credited to Dave
Farey. [Reichardt/Hoefer]. More…
Shown in a c.1966 specimen by wood type manufacturer DeLittle without trade name, in three numbered widths; No. 161 (wide), No. 209 (medium), No. 283 (condensed, caps only). Also offered as bichromatic sets (outline and fill); as No. 162, No. 210, No. 284.
Face Photosetting made a film version named Fancy (used for sample), spanning all three widths in solid and Outline variants. The medium width additionally came in a Rimmed (contour) variant. The Condensed here is caps only, too [Face c.1981]. In 1989, Solotype showed the Condensed as Mousehole and the Extended as Penzance [Circus Alphabets].
Panache has a digitization as Fancy Extended, in solid and Outline styles. Credited to Dave Farey. [Reichardt/Hoefer]. MPI Delittle (mpressInteractive, 2013) is an all-caps digital interpretation based on No. 209.
