Upstream is a venture capital firm in Utah that supports founders in the intermountain west and beyond. Their logo uses Volksans. On the website, Manrope is used as the display typeface and Inter for smaller text.

Fundacja Hospicyjna (“Hospice Foundation”), Centrum Opieki Wytchnieniowej (“Respite Care Centre”) and Opieka w Demencji (“Dementia care”) organized a first debate in a series named “Dementia Care. The Environment Matters”. The aim of the meetings is to draw special attention to the issue of dementia. In addition to open discussion, special visual spaces and educational materials were also prepared to present the various everyday challenges faced by people with different stages of this condition.

In addition to creating an event with lectures opening discussions on dementia, the organizers also undertook to showcase a range of symptoms resulting from progressive brain damage caused by various diseases. The main presentation demonstrated how visual perception changes in people with dementia, including how they perceive everyday elements such as black objects on the floor or reflections in a mirror. Such installations were displayed during the event at the Respite Care Center and in the largest shopping malls in the Tricity area of Gdańsk, Gdynia, and Sopot – Forum and Riviera. Dementia can affect virtually anyone, directly or indirectly, so this was an important aspect to highlight in the project's visual communication.

During the design process, attention was paid to the elements prepared by the organizers, introducing participants to the experiences of people with dementia. Therefore, the visual key focuses on the phases of the visual field, which changes from vision similar to that seen through a diving mask to that seen through a telescope. This presentation of the problem, reinforced by large typography, was intended to intrigue people who might see these materials in public spaces, for example, as posters on advertising poles or as animations on public transport screens.

For the 11th edition of the Rencontres Photographiques du 10e, a biennial initiated by the City Hall of Paris’s 10th district and curated by the Fetart collective, Studio Junaru designed a refined yet powerful new visual identity and poster series. Running from October 2 to November 16, 2025, this edition celebrates the vitality of contemporary photography – bringing exhibitions into public spaces, galleries, and cultural venues across the 10th district.

Echoing Emmanuelle Halkin’s curatorial statement, this year’s identity positions photography as a critical and poetic medium for understanding our world. The typography balances geometric precision with human warmth. Surt by Blaze Type sets the typographic backbone with its contemporary sharpness, while Monaako by Altiplano Typefaces introduces a vivid, more narrative tone. Together, they reflect the biennial’s mission to highlight emerging voices through a visual language that feels both open and thoughtful. On the festival website, the sans serif is Manrope by Mikhail Sharanda.

See also the 2019 edition of the festival, using Surt throughout.

A new publication about the Dortmund artist Barbara Koch was published on the occasion of the awarding of the CityARTists Prize 2024. The publication will be accompanied by selected works from the Kunst Aus(leihe) Dortmund collection. The focus is on Koch's experimental material paintings – between painting and object art. Her works address the tension between vitality, transience and artificial aesthetics.

The fonts in use are Manrope and R41 Magister.

Ring Ring Music is a music supervision agency based in Stockholm, Sweden. Founded in 2018 by Jenny Ring, the company specializes in music-related services for commercials, films, TV shows, and documentaries. Its work includes music search, licensing, negotiations, artist involvement, custom compositions, and project management.

Mécénat.Studioo was commissioned to develop a complete new visual platform for the Mamzells brand—one that’s younger, even more colorful, and highlights the many uses of the product. A graphic platform directly inspired by the diverse ways potatoes are enjoyed, creating a bold and impactful identity.

The little pink bag of potatoes, now even pinker! With a tone-on-tone design that doesn’t go unnoticed and a new, even more vibrant accent color, Mamzells fully embraces its mission to spark a fresh wave in the potato category.

CD Capital is an international private equity fund manager focused on “developing critical mineral projects for a sustainable future”. For the complete identity of the website, they used Moulin for titles and headlines and Manrope for all the text.

Intro header

Phosphor Icons is an icon library that can be used everywhere from UI design to presentations. Icons are designed by Helena Zhang, while the website is made by Tobias Fried.

The majority of the website uses Manrope, while the code and tags are set to IBM Plex Mono. Both typefaces are freely available on Google Fonts.

Closeup of one of the illustrations in the website, with the text set to Manrope

Another closeup of one of the illustrations in the website when it’s hovered. The labels pointing to the icons are also set to Manrope.

The main section of the icons, with the labels and the toolbar set to Manrope

A pop-up showing the icon’s detail. Most of the pop-up is set to Manrope, but the tags and code are set to IBM Plex Mono.

Footer

Homepage. See ystrdy.nz for image attributions.

Yesterday* is a curated collection of immersive large-scale prints from the photographic archives of New Zealand.

We use a combination of Mānuka Black and Mānuka Slab by Klim Type Foundry as our headline fonts. Mānuka Slab is primary used for product names and locations. Mikhail Sharanda’s Manrope is used for UI and information copy.

Category carousel. See ystrdy.nz for image attributions.

Navigation. See ystrdy.nz for image attributions.

Product page. See ystrdy.nz for image attributions.

Related content. See ystrdy.nz for image attributions.

About us page

The asterisk in the logo acknowledges the artists and archives who inspired us to start Yesterday*.

The Hôtel de Ville de Bulle is a historic building in Bulle, Switzerland, housing a café and restaurant. It’s a central spot in the town, known for its welcoming atmosphere and Swiss cuisine. Their new brand identity is designed by Paradoxe Studio.

It features the Ninna Regular using its swashes (designed by Margot Lévêque) alongside the sans-serif Manrope by Mikhail Sharanda.

ASA 55 is a company specializing in photographic experiences in Brazil and worldwide. Studio Broto handled the conception and full design development, including naming and branding, from the visual system to stationery, website, and social media content. The solid and stylish Manrope is used throughout; the brand colors are reminiscent of the Brazilian flag and the gray tones of São Paulo. From the About page:

ASA represents the sensitivity to light of photographic films and the freedom to fly and explore new horizons. (Asa is also the word for wing in Portuguese).
That's what our experiences are like, an invitation to slow down and connect with the present moment, with people, with life outside, in a more analog way.
55 represents the code of Brazil, our homeland, and our passion for Brazilian popular culture.

Collectif.huge worked on the branding of a new hotel in Angers, France – the Suzane Hôtel & Café. They chose the style Black 20 of TroisMille, a typeface by Marc Rouault, for “Suzanne”. To contrast and create a nice pair, they paired it with Black Signature.

On the website, Hanson stands in for TroisMille. It’s combined with Manrope for text.

Photography by Side Social Media with Mathilde Metairie, Victor Perez Pinaud and Collectif.huge.

Free Faces is a curated collection of free and open-source typefaces available under various licenses. Although it offers a more limited selection compared to larger font repositories, it provides enough options to meet a range of design needs.

The Free Faces website, created by Simon Foster, features a variety of font styles, including sans serif, serif, slab, monospace, display and cursive. Each typeface is sourced from different parts of the web and is available for commercial use.

The site design emphasizes simplicity, featuring clean aesthetics and significant contrast. Free Faces has been online since at least April 2016 and underwent a redesign before the current version was launched in March 2023. The website is set exclusively in Manrope Extralight and most of its visuals are generated using Midjourney, an AI image creation tool.

Letabox smart lockers ensure first-time delivery, every time. So customers can go back to being people, on-site staff can stop playing concierge, and businesses can stop losing money on the last mile.

The primary typeface, Thunder by Rajesh Rajput, is thunderously bold and cheerful. It is quietly supported by Manrope which is used in body text and smaller applications.

The logo is based on Thunder with a custom box-like O.

From the website of Korak Studio:

Not many foods can boast the status of a cultural heritage. One of such proud delicacies is “ajvar”- the traditional roast pepper spread or a homemade jam made of healthy and sunbathed fruits adored throughout much of Southeast Europe. Strongly embedded in the Balkan’s gastro culture, both ajvar and jam have become symbols of the region’s well-known gourmet cuisine, loved and enjoyed in households across countries and in all seasons. Kopex is a micro brand that brings these domestic condiments to the table straight from the heart of Serbia’s famous Kopaonik mountain.

Most commonly, the colorful jars of cherished spreads are either found in vernacular packaging (i.e. reused jars with handwritten stickers) when made in a domestic setting or wrapped up in labels with traditional patterns and decorative motifs in a commercial context. This was our initial thought when coming up with the identity direction for the Kopex brand, deciding on the one that would bring a fresh prospect to the customary food niche.

Our first clue was to change how the jar is perceived- from a commonplace object to a more conceptual item by applying an eye-catching label with a thick oversized typography prompting a rotational gesture. The main information is noticeable even from the last aisle- that Kopex ajvars and jams are exquisite domestic products. As a counterbalance to the heavy typography, we doodled a few light sketches in the style of newspaper comic strips, with lively characters interacting with fruits and vegetables. For the website, we additionally animated this cheerful troupe to perform acts such as juggling peppers to entertain the visitors. The overall idea was to diverge from the conventional representation of traditional food products and offer a more daring design, the one that makes these fine products stand out of the crowd.

The primary typeface used is Rainer, paired with Manrope for the information on thes labels and illustrations by Nina Hadživuković Mrvoš⁠. Motion and photography by Nataša Stamatović⁠.

Website redesign for award-winning agency Neon Team. Minimalistic, aesthetic and intuitive design with plenty of white space and visual hierarchy that draws attention to the headings.

We utilized the rarery used Exo for its distinctive style, complemented by the modern simplicity of Manrope.

Red pandas are quite small and look more like cats than bears; they feed on bamboo shoots and make really cute sounds. However, as their fur has been widely used to produce hats and many roads have been built across their habitat, fewer than 10,000 red pandas are now believed to remain in the wild. Designer Andrey Grodz tells all this in his student project for a creative layout course by Ania Melnik.

Druk Wide is used for tags and slogans. Body text is rendered in Manrope. The typeface used for Chinese appears to be PingFang.

OffBit in use together with Manrope for the Arcade Labs website, in a design by Hans Christian Øren from Oh Yeah Studio:

Arcade Labs is a design studio in Southern California that specializes in creating engaging digital experiences. They are known for their visually stunning websites and interactive applications. With a talented team of designers and developers, Arcade Labs combines innovative design concepts with cutting-edge technology to deliver exceptional results. Their goal is to create unique and memorable experiences for users, whether it's through sleek website designs or interactive games. With their passion for pushing boundaries and commitment to excellence, Arcade Labs is a trusted name in the design industry.

Conscious Food has been a pioneer in providing high-quality organic food options to the Indian consumer market since 1990. Studio Ping Pong came on board to design the packaging for their new range of Toddler Foods.

The entire instant mix range was divided into three categories: Dosas, Chillas, and Powders. Each category was given a special color palette and character.

We used this as an opportunity to conceptualise scrappy characters that get their superpowers from the ingredients of each product. The craft paper, a recurring element in Conscious’ products, was made an active participant within each box, serving as a prop essential to the story.

Hoss Round was chosen as the primary typeface after looking at various competitor brands on the market. As a rounded font, it perfectly captured the playful yet serious essence that the brand wanted to convey with these products. Manrope and Edu SA Beginner were used as secondary typefaces, the latter being a font used in South Australian primary education, in keeping with the theme of the products.

The packaging content was designed keeping in mind that parents are extremely mindful while picking up products for their children. They want the best nutrition and want to know all the benefits straightaway. Hence, each box came with markers for good micronutrients as well as smaller blurbs calling out comparative benefits.

Aimed to win over both younger audiences and parents, the new range maintained Conscious’ familiar minimalism and craft paper, while introducing a fresh new approach.

Illustrations: Shivani Danave

Libera revisits the concept of herbarium in a more personal way by telling the life of a woman named Liberatina, through the collection and the cataloguing of the plants grown in her garden between March and April 2022.

The project led to the design of an exposed smyth-sewn book covered with a folded poster that visually translates the location of the plants in the garden into a grid.

The book opens with an interview with Liberatina who tells her story and her passion about cherishing and nurturing life. Her plants also become the main ingredients of the meals that she cooks for her family. The interview is supported by pictures of her past and present.

The main section of the book focuses on the photograms made in the darkroom and on the pictures of Liberatina’s plants and tools in their natural space. The photograms represent the garden’s crops in their stages of growth, ripeness and decay.

The book ends with a facsimile of Liberatina’s recipe book and a biographical apparatus to better understand the interview.

Designed during the course Laboratorio Fotografico held by studio òbelo at CFP Bauer.

Printed on Mohawk Superfine Eggshell Ultrawhite 105 g/m² and Sappi Raw 115 g/m²
Typography set throughout in Manrope by Michael Sharanda