RT Alias in use for the catalog of Jesse Stecklow’s exhibition titled Terminal at the mumok in Vienna, designed by the artist himself:

The collection, analysis, and circulation of ecological data, often invisible to the human eye, is at the core of Jesse Stecklow’s artistic practice. The Los Angeles-based artist (b. 1993) works with a precisely defined repertoire of objects that oscillate between image, text and sound. His sculptures enter into a dialogue with their surrounding environment, effectively confusing the boundaries of the work. Stecklow is less concerned with the singular object itself. Rather, he is interested in the various narratives that are created through location-related shifts in context. Stecklow refers to his objects as characters. They take on different roles depending on the situation in which they find themselves, thus assuming multiple identities in divergent forms.

In his first European museum exhibition, Stecklow transformed the exhibition space into a waiting room. He presented various versions of his sculptures in repetition across displays he designed as a hybrid between luggage carousels and dining tables. These forms reflect the shifts between public and private spaces that have occurred throughout the pandemic: while heavily frequented airport terminals emptied, our hitherto lonely dining tables have filled up, becoming offices and school desks.

The text typeface is Stempel Garamond. The oldstyle roman used on the cover is yet unidentified [edit: it’s a layered combination of Cobra and Larish Alte, see comments].

RT Alias in use by Studio Flux for the identity of Hochschule Luzern’s Master of Arts in Fine Arts program, where students address pressing social issues through interdisciplinary collaboration, fostering participatory artistic research. Inspired by the program’s identity, the design blends layered visuals, typography, and colors from the Master's program. Student workshops contribute to the primary visual element, creatively reimagining Ernst Haeckel’s “Polyps” using text-to-image models. The design’s complexity is intensified by overlapping contradictory grids, symbolizing StudioLabs’ multidimensionality. These innovations come alive during StudioLab Days, a dynamic four-day art event at Südpol in Lucerne, featuring exhibitions, performances, lectures, and guided tours.

RT Alias Rough Regular in great use for the navigation on David Herren’s personal website showcasing his projects. From the About page:

David Herren (b. 1984) is a visual artist currently based in Lucerne, Switzerland. In his work, Herren questions the role of living beings in relation to a technologized environment and explores resulting phenomena. He examines systems on the brink of instability by modeling processes with information from databases—or by developing recursive machines evoking human inadequacies in their behavior. Herren's artistic practice reflects ideologies in social and personal contexts, and he is always concerned with his own entanglement in the world.

The text typeface is Univers Next.

RT Alias is used spectacularly throughout the book Videothek: Eine nostalgische Erinnerung. The publication was designed by Thomas Martin as his Bachelor thesis at HS Pforzheim. It processes memories and impressions around classic video rentals. It offers a nostalgic glimpse into a world before streaming services and 24/7 availability of entertainment.