Designed by John F. Cumming and released by Dickinson in two styles, Algonquin
(solid) and Algonquin Ornamented (open,
decorated and shaded; sometimes also named Algonquin
Shaded) [Reichardt 2011] by 1890, together with
Grady. The styles can be layered for
chromatic effect. [Inland
Printer]
Shown by Photo-Lettering in two styles, Algonquin
Decorative (solid) and Algonquin Shaded (open)
[PLINC One Liner 1971]. Shown by Dan
X. Solo in Victorian Display Alphabets, 1976.
VGC had as
Algonquin Shaded [VGC 1972], Typeshop had Algonquin
Shadow and Algonquin Shadow Ornamented (used
for sample) [Typeshop c.1977]. Facsimile Fonts had the open face as Macbeth
Ornamental, alongside the similar solid Macbeth. [More…
Designed by John F. Cumming and released by Dickinson in two styles, Algonquin (solid) and Algonquin Ornamented (open, decorated and shaded; sometimes also named Algonquin Shaded) [Reichardt 2011] by 1890, together with Grady. The styles can be layered for chromatic effect. [Inland Printer]
Shown by Photo-Lettering in two styles, Algonquin Decorative (solid) and Algonquin Shaded (open) [PLINC One Liner 1971]. Shown by Dan X. Solo in Victorian Display Alphabets, 1976. VGC had as Algonquin Shaded [VGC 1972], Typeshop had Algonquin Shadow and Algonquin Shadow Ornamented (used for sample) [Typeshop c.1977]. Facsimile Fonts had the open face as Macbeth Ornamental, alongside the similar solid Macbeth. [Berthold 1974]
Aloysius Ornamented is a digital revival made by Alan J. Prescott.
