About type design

Museum Plantin-Moretusc. 2000

• Museum Plantin-Moretus

Contributed by Frank E. Blokland

Desisto typography workshops2025

• Desisto
• Margarida Borges

Contributed by Nikolas Wrobel

Support Independent Type II2025

• Marian Misiak
• Pola Małaczewska
• Lars Harmsen

Contributed by Threedotstype

Plain Text 12025

• Lucas Descroix
• Benjamin Dumond

Contributed by Lucas Descroix

Type Directors Club website (2025)2025

• KUDOS Design Collaboratory

Contributed by Darden Studio

Berling Prize diploma 2023c. 2023

• Konst & Teknik

Contributed by (Harald) Peter Ström

Footnotes, issue E2024

• Mathieu Christe
• La Police

Contributed by Mathieu Christe

Footnotes, issue D2022

• Mathieu Christe
• La Police

Contributed by Mathieu Christe

Remix magazine #02, “Sortir du rang”c. 2021

• Morgane VanTorre

Contributed by Proof of Words

Abeceda workshop publication2024

• Oleś Gergun
• Yevgen Anfalov
• Kyiv Type Foundry

Contributed by Anna Kovalenko (Kyiv Type Foundry)

Nikolas Type websitec. 2024

• Nikolas Type
• Nikolas Wrobel

Contributed by Filippos Fragkogiannis

The ABC of Fonts by Simon Garfield, book jackets and campaign2024

• Derek Thornton
• Grace Shum

Contributed by Grace S

26 Letters / Lettern / Lettres, March 1989: Wilke Antiqua1988

• Eckehart SchumacherGebler

Contributed by Hans Schumacher

Wilke Antiqua folder and type specimenc. 1988

• Martin Wilke
• Ralf Rudorf

Contributed by Hans Schumacher

Same Bold Stories? exhibition2024

• turbo type
• Laura Brunner
• Leonie Martin

Contributed by Giulia Boggio

Same Bold Stories? catalog2024

• turbo type
• Leonie Martin
• Masha Egorova

Contributed by Giulia Boggio

Free Faces websitec. 2023

• Simon Foster

Contributed by Filippos Fragkogiannis

Charlotte Rohde and Flint*ype lecture, F+F Zurich2023

• Marc Gertsch

Contributed by Marc Gertsch

L!S!B!L!TÉ2022

• Alexandre Créquer

Contributed by Alexandre Créquer

Eye magazine #106c. 2024

• Simon Esterson

Contributed by Sharp Type

“How to shape your Latin” typeface design workshop2017

• Alja Herlah

Contributed by Alja Herlah

Berlin Letters Festival 20242024

• Chris Campe
• Berlin Letters

Contributed by Florian Hardwig

La Lettre d’imprimerie by Francis Thibaudeau1921

• Francis Thibaudeau

Contributed by Craig Eliason

De quoi Garamond est-il le nom? by Stéphane Darricau2022

• Bureau Brut

Contributed by Bureau Brut

UNCUT.wtf website2021

• Kasper Nordkvist

Contributed by Filippos Fragkogiannis

E162.eu website2018

• Quentin Creuzet
• E162

Contributed by Fanny Hamelin

Typeface Abetka (Alphabet) for Ukrainian Identity2023

• ЗMIN
• Obys Agency
• Projector

Contributed by Svitlana Tolmach (Rentafont)

aisaisa.online2020

• Marcello Jacopo Biffi
• Gabriele Donini
• Giga Design Studio

Contributed by Marcello Jacopo Biffi

Irene Vlachou website2020

• Irene Vlachou

Contributed by Stephen Nixon

BlazeType: How to design fonts?2023

• BlazeType
• Léon Hugues
• Paul Lapkin

Contributed by Ethan Nakache

Don Quichotte et les figures de l’auteur, La petite collection #12022

• Bureau Roman Seban

Contributed by 205TF

Type Follows Identity by Paul Eslage2022

• Paul Eslage

Contributed by Paul Eslage

Making Neuland by Dan Reynolds, Poem Pamphlet No. 72023

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Counter Acts: Type & Lettering on Film & Video poster/brochure2023

• Type Syndicate
• Benjamin Tuttle

Contributed by Benjamin Tuttle

Shoplifters issue 10, “New Type Design Vol. 2”2022

• Actual Source

Contributed by Robert Huber

Typeknitting websitec. 2022

• Rüdiger Schlömer

Contributed by Rüdiger Schlömer

Sabon: Tschichold & Hochuli2021

• Corvus Works
• Christopher Wakeling

Contributed by Christopher Wakeling

Bronisław Zelek – W zaklętej krainie liter / In the enchanted land of letters by Małgorzata Bartosikc. 2023

• Małgorzata Bartosik

Contributed by Małgorzata Bartosik

Dossier Scriptorium de Toulouse. Une pédagogie de la lettre écrite et dessinée2022

• Bureau 205
• Juliette Flécheux

Contributed by 205TF

Skrift i Oslo exhibition2020

• Arve Båtevik

Contributed by Store Norske Skriftkompani

Claude Garamond, Corvus Works2022

• Corvus Works
• Christopher Wakeling

Contributed by Christopher Wakeling

Futura: The Typeface2016

• Isabel Naegele
• Stephanie Kaplan

Contributed by Lali Rossy

BOUNDARIES workshop poster2022

• Colin Jäck

Contributed by Colin Jäck

Ukrainian Type Design lecture, Pavillon-Presse2022

• Kateryna Korolevtseva

Contributed by Florian Hardwig

Kanji, Kana, BLine exhibition booklet2020

• André Baldinger

Contributed by BVH Type

33 Letters for Ukraine2022

• Joasia Fidler-Wieruszewska
• Aga Kotowska
• Alina Rybacka-Gruszczyńska

Contributed by Joasia Fidler-Wieruszewska

Zurich Type Design by Rudolf Barmettler (ed.)2020

• Baldinger•Vu-Huu

Contributed by BVH Type

Perspectives on Typography2022

• Inga Paulussen

Contributed by Inga Paulussen

Reviving Ange Degheest, Poem Pamphlet No.62022

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Vocations et dérives de la typographie libre, 2005–20212022

• Thomas Néel

Contributed by Thomas Néel

The Distinguishing Characteristics of a Typeface poster2010

• Arno Kathollnig

Contributed by PampaType Team

Type Design Class website2021

• Viktor Baltus

Contributed by Andrea Tartarelli

Málaga Type v.22021

• Tiquismiquis Club
• Juan Martín
• Roberto Espartero

Contributed by Tiquismiquis Club

AaBbCc – History and Form of the Latin Script2021

• TGG Hafen Senn Stieger
• Roland Stieger

Contributed by Nouvelle Noire

Schrift. Wahl und Mischung by Kai Büschl and Oliver Linke2021

• Kai Büschl
• Oliver Linke

Contributed by Kai Büschl

Women in Type website2021

• Mathieu Triay
• Alice Savoie

Contributed by Mathieu Triay

Rookledge’s International Typefinder (1991 edition)1991

• Suzanne Lobel
• Madkat Studio

Contributed by D Jones

Novo Typo Color Book by Mark van Wageningen2017

• Novo Typo
• Mark van Wageningen

Contributed by Mark van Wageningen

Proco Prozess ad by Wilhelm Huch (1907)1907

Contributed by Florian Hardwig