In 2024, TT Commons Pro became the new corporate font for Kiwitaxi.

Kiwitaxi is an international service for booking private transfers online in advance, primarily from airports and between cities. TT Commons Pro maintains a consistent style across different languages and formats, ensuring the brand looks equally confident across all mediums.

The logotype uses something else, possibly a modified Axiforma.

The cover to Volume 1

The Witches’ Marriage is a yuri manga by Studio Headline. Initially published from 2021 to 2023, the series was localized by Yen Press from 2023 to 2024.

For witches, love is power, and to open the Door of Truth— the ultimate goal for any spellcaster—Melissa needs to forge the strongest bonds she can. By now, she’s perfected her routine: marry a naive witch, use her to gain power, and discard her afterward. Melissa’s next target is Tanya, a young girl who’s fascinated by magic and longs to follow in her new mentor’s footsteps. But Tanya has a charm unlike Melissa’s other brides, and her pure, innocent cuteness just might be enough to melt the ice-cold witch’s heart…

The title seems to use Dancing Script, with alterations made in red and white highlights added to replicate the style of the Japanese logo. Stars replace the tittles in the i’s. The author name uses Bodoni Bold. The header and numbers on the Contents page are set in Bernhard Modern, while the chapter titles use Aclonica. The letterer for the manga is Bianca Pistillo.

The Japanese volume 1 cover. The English title is set in Cochin Bold.

Beyond simple objects, GiftArt delivers artistic inspiration that blends into everyday life. At typefounder, we designed a comprehensive visual system by reinterpreting GiftArt’s symbolic ribbon and gift motifs into a unique graphic language.

The Magic of Doris Day is a 1970 album by Doris Day released on Harmony Records. All-lowercase Blippo is used for her name and title with the i being modified with a flower on top. Song titles are set in Futura, arranged at the left and right. No cover designer has been credited.

[More info on Discogs]

Ambar Lucid’s new EP is supported by a clear and cohesive communication strategy that extends beyond the music itself. The release is accompanied by a set of physical and visual products – vinyl, posters, and apparel – designed to strengthen the album’s identity and visibility. The typeface Rosalie, by My-Lan Thuong and available at Sharp Type, is used on all the supports. For the singer’s name, the capital I was replaced by a lowercase i and a star was used for the dot. The typeface has a blurry and shinning effect for the song titles on the videos.

The vinyl record design is composed of four panels; with the front cover showing the main photo artwork that’s also used on the T-shirt. The back cover has lettering with the title of the EP, El Jardín de Lágrimas, and finally the inside contains the lyrics and a photo of the artist as an angel.

Together, these items create a unified promotional ecosystem: digital platforms introduce the music, while physical products reinforce the branding and extend the EP’s presence into the fan community. The visual identity of El Jardín de Lágrimas is not officially credited publicly, at least in the usual metadata and merch sources.

[More info on Discogs]

The poster for the release party additionally uses what appears to be a blurred version of Arial.

Publication accompanying the Microtopies festival in the French city of Lille and participating municipalities, organized by the WAAO Center for Architecture and Urban Planning.

From WAAO (translated):

We invite you to discover unique installations: cabins imagined by groups of architects, landscape planners and designers. These construction sites are an invitation to participate in the construction of these unique cabins and to discover the creative processes live. Each site will host activities and events. These architectural and ephemeral "micro-interventions" are designed to reconsider the place of imagination and reuse in our urban and rural landscapes. Made from recycled materials, the cabins will be the central point of activities, tours, workshops and exhibitions throughout the summer.

Designed by Julien Lelievre, the publication features two typefaces: Hauser by SM Foundry for titles and Signal by Production Type for body text.

TT Hoves Pro is part of the identity of Intellihub.

Intellihub is a digital energy management specialist that provides intelligent metering devices and services to over 50 energy retailers across ANZ. But the true breadth of work goes beyond the meter, touching everything from solar to water, virtual power plants to electric vehicle charging.

If it involves making the future of sustainable energy across Australia and New Zealand less complicated, Intellihub is interested in it.

UNEINS is a young magazine that uses critical and progressive voices to give new impetus to peace and conflict, initiate new debates and diversify existing discourses. The magazine thus aims to make connections between socio-political debates, peace and conflicts accessible to a broad, interested audience. As a magazine, it presents a variety of contributions: from classic academic articles, journalistic pieces and essays, to photography, illustration, poetry, and prose.

studiokwi was in charge of the logo development, the creation of a design system, the web design, and the barrier-free web development.

Suddenly … Smashingly … Your look comes to life!
First and only Brush-on Makeup with Shades from Beige to Blush

Tightly spaced Kabel used in two weights in a 1965 advert for Brush-Alive makeup, featuring pink brush-on makeup for the i dot and the exclamation mark.

Pinguino is a new ice cream shop in the center of the Belgian city of Leuven (Flanders). Local design agency kpot created a brand that is leaning in the colorful and pop trends that are seen a lot in the food market these days. Block colour geometrical patterns mix with big and bold type in a colour scheme dominated by orange, black and white with accents of yellow and purple.

The only type family used here in two styles is NaN Fiasco, NaN’s whimsical geometric sans built around consistent inconsistencies and voluntary quirks and mistakes which all bring warmth and a more human and playful spirit. It’s worth to note that this not the first use of Fiasco in the context of branding a food / beverage place, making it almost look like a dynamic for this typeface.

Seoulnatives (서울네이티브) is a translation solution service named by combining “Seoul” and “Native” to emphasize familiarity to domestic companies and their Korean origin to international companies. Seoulnatives constructs a worldview metaphorically based on the tiger depicted in Korean folk paintings from the 1800s. Withenatives(위더네이티브) Members are called “Hwangho” (Yellow Tiger); Seoul Native Members are referred to as “Baekho” (White tiger) and the Withenatives Community is termed “Forest”. This worldview will be utilized as a resource for Seoulnatives to lead the ecosystem of translation freelancers. By leveraging this branding, Seoulnatives expects to secure a more skilled talent pool and gain the trust of more customers by providing a translation freelancer community ecosystem named Withenatives.

The visual identity was developed by Studio Duggubi 스튜디오두꺼비. Neutronic is the main typeface, chosen to emphasize the client’s Korean origin. Pretendard is used for body text to accommodate a font that is universally applicable, not only for Korean and English but also for other languages.

Jett is the kid on the left with a red shirt, and Jin is the cat on the right with blue fur. Jett and Jin are late for school after trying their new jetpacks, so they fly through the city trying to go to their school. Along the way, they break into a office, go down into the sewers, and eventually go to school. This film was released somewhere in 2006, but the exact date is unknown. This film was later re-used for the XD theater.

Eventually, Jett and Jin got their own motion simulator, called Jett Rider in 2009. You've might seen this at a Chuck E. Cheese or some arcade. Players can complete three rides, Tunnel Escape, Jetpack Adventure, and Toy Coaster for a secret fourth ride, Slot Cars.

The logo typeface is Ketchum, used in mixed case and with partly stretched and rotated letterforms as well as effects. The i dot was repleaced with a paw print.

The title card additionally uses Massive Headache.

The Andalusian capital Granada struggles with the same waste problems as many other European cities: abandoned furniture and household goods, lack of use of trash cans, inadequate waste separation and dog excrement. Against this background, the city council together with the environmental service provider PreZero, the local cleaning service Inagra and the creative agency Viernes developed a motivational campaign to keep the city clean.

The campaign “Granada limpia que te quiero limpia” (English: “Clean Granada, I love you clean”) aims to ensure that every individual can make a modest contribution to keeping the city clean. Lyrical, consensual messages that a large majority can agree with play the main role. For example, “If you call us, thanks to your help we will clean the corner you love so much.” Or: “Let’s celebrate Granada without leaving bottles and trash on the squares.” And, “My heart beats faster for Granada because the recycling bin is not confused with the trash can.”

“For the campaign, we held a competition asking residents to write a compliment for their city related to Granada’s clean, bright nature”, explains Pedro Vázquez Viernes of the agency of the same name. Visually, the compliments were paired with colorful illustrations by Barcelona-based cartoonist and comic book writer Genie Espinosa. Viernes chose Nikolai Condensed Regular, designed by Franziska Weitgruber from Italy, as the campaign font.

“We chose this typeface because of its classic, elegant style, in keeping with the culture and aesthetics of Granada: it’s not old-fashioned, but contemporary and playful.”

The space-saving, high-contrast condensed typeface proves to be extremely helpful because it keeps the wordy messages together in an easy-to-read manner. The dots of the i and full stops were replaced with glittery stars “to emphasize the cleanliness of the city,” says Pedro Vázquez Viernes. The campaign logo is set in the Catalan Art Deco font Mirtha Display by Guillermo Lizarzuay, while the sans serif Solanel, designed by Nico Inosanto from Switzerland, rounds off the campaign.

Visual identity and website for Jardin C, an outdoor place in Nantes dedicated to experimental culture. As the garden is an outside venue, every event organized there is very sensitive to the weather. The website has indicators for the current time, temperature and humidity.

For the 2023 poster series, Elastik is the sole typeface used. It focuses on the concept of growth, utilizing the dots of the letter i as illustrative elements.

ViViFiCAR is an immersive and transdisciplinary project that combines photography, new media and architecture to promote encounters between Douro, national and Norwegian artists with local communities based on participatory strategies for the creation and exhibition of community-specific works of art. The idea to be explored is based on the principle of population settlement and the exploration of movement as a catalyst for territory stimulation processes.

The idea of movement/travel is synthesized with the representation of the i dot. This same point serves as the nucleus for the construction of all the materials and graphic elements of the identity.

From Wikipedia:

ABC Circle Films (ACF or Circle) was a television movie and series production company owned by ABC that operated from 1970 to 1989.

Fourth logo used by ABC Circle Films, which sources indicate was used from around May, 1978, to February, 1983.

This version of the logo features type based on Corporate Gothic. Letters on the top line appear to have been modified or redrawn into a more condensed form.

TT Hoves is featured on a Lithuanian government agency Invest Lithuania that provides free advice and introductions to the ground experts to global companies interested in doing business in Lithuania.

Naming, creative and art direction and brand design by EMME & Co:

Milee is an Institute of Development & Early Stimulation located in Mexico formerly known as Ducky. Our challenge was to create a brand that could resonate with a local audience by a strong storytelling & a visual system that could connect with people.

As a result, we build a playful, colorful, and interactive brand with a wide color palette, contrasts and a cheerful and dynamic logo.

The new brand typefaces for MIlee are Beatrice by Sharp Type and Clearface by Monotype. Together they gather an enjoyable brand, with a design system that reveals a series of collateral that helps the user connect with the brand.

Goldie and the Kiss of Andromeda is the latest album by Parisian singer Adam Naas. It was designed by Image Format, using photography by Emma Picq and two typefaces by Benoît Bodhuin; BallPill and bb-book B.

[More info on Discogs]

The title features bb-book B with a bouncing baseline, customized i dots, and EndcapS.

From 1947 until 1992, the Heath Company from Michigan manufactured electronic kits and marketeted them under the brand name Heathkit. One category in which Heathkit enjoyed great popularity was amateur radio.

The display typeface used on the cover of the Heathkit Mail Order Catalog No. 848 is Dimensia, with a snowflake added as i dot. “Winter Kitbuilding Fun–1980” uses the small caps included in this font by Alphabet Innovations.