Pôme – Maison de coiffure is an independent hair salon located in Cesson-Sévigné, near Rennes, France.

The visual identity and art direction draw from a vintage inspiration, reinterpreted through a distinctly fashion-driven and contemporary lens.

The custom lettering is based on the Inglesa Caps typeface, revisited and redrawn exclusively for the salon’s signature to refine its proportions and character.

It is paired with Neue Helvetica, used as a functional typeface to bring clarity, neutrality, and balance to the overall graphic system.

Glitch Library is a knowledge sharing space and an idea exchange place. We stack books on art, design, cultural theory and everything în between: from visual culture resources to typography, illustration, photography, with a keen interest on poster design.

It is not just a physical collection of books; it’s a place where creative minds come together to exchange thoughts and build a community around the love of art and design books.

The library itself is housed in the Glitch Design Studio offices, surrounded by colleagues and friends who share a deep passion for art and design. This unique setting fosters collaboration, whether you’re here to work on a project, explore new ideas, or simply enjoy a good book.

The branding inspiration was found in print based elements such as letterpress blocks, trim symbols, color guide symbols and typographic experiments. The main font used is Inter from Rasmus Andersson for its clean aesthetic and paired with Bookmania by Mark Simonson Studio for it serif madness and appropriate name for a book library project.

Within the library's activities Glitch Studio DesignSessions (a talks series of events) was initated. I designed all of the event posters as part of Glitch Studio. All of them play on the general love of print that is also the basis of the visual identity. Beyond typographic and lettering experiments all posters use trim marks or color guides in different ways for cohesion.

For the last three DesignSessions talks, designers from the Netherlands were invited to give talks on book design and graphic design. The first of these events saw Esther de Vries on her book design experiments, as such the main focus was showcasing a virtual book cover for the poster. Following this Richard Niessen showcased his ongoing project The Palace of Typographic Masonry, inspiring the poster to focus on Graphic Languages.The final event was hosted by Liza Enebeis from Studio Dumbar/DEPT® on books and motion. The concept behind this poster was an animated form of letterpress blocks.

This project has been awarded in the Poster category of Local Design Awards 2025; it was also selected in the 29th International Warsaw Poster Biennale Main competition as well as shortlisted for the Antwerp Poster Festival 2025.

Creative direction by Dan Stănescu, project management by Ana Banu. Art direction and graphic design by Andrei Nicolescu. Photo credits: Mihai Ciobanu (posters) and Dragoș Hanciu (events).

Graphic Sample by Jérémy Fiévet is a graphic design thesis made for acquiring a DNMADE in the “Image et médiation” program at Saint-Etienne Cahors.

The book/portfolio measures 20×25 cm and was inkjet printed on Munken White 80 g/m². It’s set in DaVinci by Virgile Flores, supported by ITC Franklin Gothic and ITC Edwardian Script.

Florian Brennemann and Laura Chenus used Syndicat Grotesk as the main typeface for the different elements accompanying Gilles Favier’s photographs for the exhibition Jusqu’ici tout va bien at Palais de Tokyo:

The Palais de Tokyo has opened its doors to thirty students from the Kourtrajmé school, to elaborate an exhibition in the form of a workshop. The show explores the link between the movies La Haine, directed by Mathieu Kassovitz, and Les Misérables, directed by Ladj Ly, through visual and cinematographic works made especially for the occasion.

Founded in 2018 by Ladj Ly, whom JR joined the following year, the Kourtrajmé school offers an alternative and free cinema and art education in Clichy-sous-Bois / Montfermeil, the cities where the riots started in France in 2005, following the death of two teenagers, Zyed Benna and Bouna Traoré, as they tried to escape from the police.

As part of the exhibition, JR – who is in charge of the art section of the school – has created a pasting on the museum’s facade, applying a picture of Clichy-Montfermeil through an anamorphic image.

Empore Music is a record label for house/techno music from Kiel, North Germany. Their latest line of merchandise was designed by No Talent Studio using Grafier and Pragmatica Extended.

Catalog cover

The Association of University Presses, an organization of nonprofit scholarly publishers, hosts an annual Book, Jacket, and Journal Show to honor “meritorious achievement in design, production, and manufacture of books, jackets, covers, and journals.”

Isaac Tobin, who served on the committee for the 2019 AUPresses show, also designed its identity and printed catalog, using the vernacular of print design production, such as crop marks and color swatches. Study is used extensively for text, along with two of Tobin’s own in-progress typefaces for headings, Attleboro and Forna (Tobin).

Catalog half-title page

Catalog title page spread

Catalog contents spread

Catalog interior spread

Catalog category opener

Catalog interior detail

Catalog interior detail

Daily Dialogue designed a publication for Quality Time, a series of events and interventions by students of Olaf Nicolai’s class at Akademie der Bildenden Künste München, developed in response to Adam Putnam’s film Reclaimed Empire (Deep Edit), and Karel Martens’ exhibition Motion at Kunstverein München.

The design uses the Suisse Int’l and Int’l Mono typefaces from Swiss Typefaces.