From publisher Atelier Éditions:

Michael Jang spent nearly four decades working as a successful commercial portrait photographer. Unbeknown to the world, however, he was assembling a vast archive of thousands of remarkable images, authoring several now-iconic series: The Jangs (1973), Beverly Hilton (1973), San Francisco (1973–1987), Summer Weather (1983), College (1972–1973), Punks & Poets (1978–1980), and Garage Band (2001). Jang revealed nothing of that vast archive for almost 40 years until 2001, when he submitted a number of images for consideration to San Francisco’s Museum of Modern Art. His work attracted immediate acclaim, and for the past fifteen years he has revealed those images in a series of national and international exhibitions and books. The artist’s first major monograph, Who Is Michael Jang?, introduced by long-time collaborator and SFMoMA curator emerita of photography, Sandra S. Phillips, offers readers an eagerly anticipated examination of Jang’s truly idiosyncratic oeuvre.

For the book typography, Capucine Labarthe picked Continua by edition.studio and Mabry by Colophon.

La Nord used on the visual campaign for Food and Drink Week 2019. This campaign is inspired by Liverpool’s food scene grown confidently with a subtle combination of innovative ideas and home grown aesthetic. We seized this opportunity to push the concept of mindful eating by using a multi sensory approach. We worked to embody appearance, sound, smell and texture in the campaign in order to curate a truly immersive and personal experience with Liverpool’s food scene.

Creating the campaign for Food & Drink Week 2019 was a careful and detailed process. The sculptures were meticulously made and used as a strong focal point throughout the festival’s visual identity.

Client: Liverpool BID Company. Art director and lead designer: Malena Ramírez. Designed by Escola Studio in collaboration with Kalo.

Shown here are Nicola Peter’s cover designs for Temple Solaire’s Ceremony tapes, which are a series of seven playlists on Spotify, curated by the seven members of the band.

The grotesque that is exclusively used for the covers is Ambiant Sans, designed by Laura Csocsán.

Graphic identity for Creixem al Carme, a cultural initiative born with the aim of strengthening the relationships between the cultural-educational environments and their neighbors in El Carme, the original urban nucleus of the city of Valencia. 73% of the city's cultural activity is concentrated in this neighborhood. Its surroundings are made up of vestiges and layers of history that are still preserved in the layout of its streets.

The aim was to create a dynamic and attractive graphic identity that would value the three premises of the project: ‘the basic is extraordinary’, ‘art as a learning tool’ and ‘the environment constructed with layers of history’.

The brand identity is built from a wide range of bright colors that combine to generate different layers to solve all communication needs of the project. La Nord, a sans serif typeface with gestural details in its characters, gives clarity and proximity to the identity.

For the visual system, the basic geometric shapes (square, circle and rectangle) allude to the learnings of art. These shapes are playing, moving and deforming to provide, along with the range of color and typography, endless visual solutions.