Golden Age. Dictateurs et dictatures des années 70 is a Panini-like sticker album… of dictatorships.

It covers 29 regimes with a total of 348 stickers to collect. That’s a whole pile of despots. A project about history, graphic design, and memory. Started over ten years ago, Golden Age was finally published on June 25, 2025, after countless twists and turns – and a lot of time spent editing, coloring, or tracking down portraits that were sometimes impossible to find.

As part of the travelling exhibition Dans les règles de l’Art, organized by the Musée Mobile (MuMo) in collaboration with the Centre Pompidou, we designed a card game featuring over 60 original illustrations. It was specially created to engage exhibition visitors, particularly young audiences, by encouraging them to explore the artworks in a playful manner. Each card offers an activity, a question, or a reflection related to the presented works, allowing participants to creatively engage with artistic concepts.

Desire Lines is a collateral pavilion of the Venice Art Biennale 2024. The project brings together three independent European cultural institutions: Proforma (UK), Begehungen (DE), and PASE (IT). Their goal is to build connections between artists from the European scene through residencies, exhibitions, performances, and other events. This edition features the work of artists such as Edgar Leciejewski, Margret Hoppe, Max Magaldi, Pierpaolo Ovarini, and Omari Taylor.

The visual identity is initially built around the concept of an apparent grid – both evolving and flexible – that serves as a foundational structure. It evokes the idea of a modifiable playground, a dynamic visual framework reflecting the diversity of creative approaches and perspectives of the invited artists. The logotype block unites the three entities, reinforcing the idea of connection and links, symbolized by a line that takes shape, illustrating the various possible paths. Each line becomes a guiding thread, a metaphor for the exchanges and connections woven between the different cultural actors and the spaces they occupy.

Drag, un art queer qui agite le monde (“Drag, a queer art shaking up the world”) is a book about the history of drag culture, written by Apolline Bazin. The titles are set in Sehnsucht (Marco Juan Lavandier, the designers of the book), the body text in Chronicle ​​​(Jonathan Hoefler), and the captions in a yet unidentified sans serif.

Description of the book by Éditions EPA (translated by DeepL):

This book looks at the history of drag and the place it occupies in our society today, highlighting figures who are popular or underground, festive or committed, consensual or radical, all of whom have changed things in their own way, between resistance, sublimation, humour and ferocity. Now an integral part of pop culture, drag remains in perpetual motion, showing us its incredible capacity for self-renewal.

From the publisher, Éditions EPA (translated):

K-pop, series, gastronomy, cinema, fashion… Korean pop culture conquers the world!

This book proposes a journey around the K-World. A panorama of this fascinating, astonishing, invigorating culture, which allows you to watch Parasite while eating a delicious nibimbap and drinking a glass of soju. To listen to BTS, to dance to the rhythm of Gangnam style, then to sing in a karaoke until the end of the night before returning in the morning calmly seeing the sun rise on Bukchon Hanok Maeul!

The design uses various styles from the Sharp Grotesk, paired with Freight Big, as well as Black Han Sans for Korean text.

Pase Platform is a cultural organization that explores, thinks of and takes on new art languages. This booklet presents the main projects developed by their team as well as the new program of residency and research based on their soundscape technology.

Zerozoro designed the visual identity combining different forms and objects from their musical and technological environment. Girott is used for headlines and paired with two swidths of GT America.