From IMDb:

1930’s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane (1941).

David Fincher and Neil Kellerhouse continue their working relationship that in the past saw designs for The Social Network, Gone Girl, and Mindhunter. The main poster is based around a painting by Anna Park. Kellerhouse chose Pacioli for a great degree of Mank’s promotional campaign. The most unexpected use I saw was in the title design for the film, where Pacioli gets a 3-D rendering. The Mank wordmark is probably custom lettering. Reporter is vaguely related.

The approval card is set in caps from Kabel (1927).

The script used in the teaser is Mr Stalwart. This font is based on one of the script alphabets created in the 1930s by Brooklyn-based calligrapher Charles Percy Bluemlein.

Mindhunter is an American crime drama web television series created by Joe Penhall, based on the true crime book Mindhunter: Inside the FBI's Elite Serial Crime Unit written by John E. Douglas and Mark Olshaker. The series […] debuted worldwide on Netflix on October 13, 2017. — Wikipedia

The logo uses several of the 8 weights included in Heroic Condensed. The loosely spaced caps go from light to black and back, creating a type weight gradient. Silas Dilworth’s “idealized, no-nonsense, narrow grotesque” also appears elsewhere in the series’ visual identity.

Film title design for David Fincher’s Gone Girl by Wieden+Kennedy [correction: by Neil Kellerhouse, see comments]. The screenplay by Gillian Flynn was based on her 2012 novel of the same name.

Theatrical one-sheet artist Neil Kellerhouse has used Bourgeois by VirusFonts very often in the past several years. His most recent and visible use was for the title wordmark for Netflix TV series House of Cards. Kellerhouse used Condensed Bold and Condensed Book Italic variants for this particular promotional campaign. Certain posters use MADType's Pacioli's lowercase characters for listing of names and credits.

Bourgeios is also used on House Of Cards slot machines that can be seen at casinos across the USA!

Found at ScreenFonts.

“The Social Network” poster (overview and detail) by Neil Kellerhouse

Klavika (above) and the Facebook logo (below) showing adjustments to the ‘fa’ connection, ‘k’, and width of the ‘c’.

The Facebook logo was designed by Joe Kral and Cuban Coucil. It is a judicious modification of Eric Olson’s Klavika, with tighter spacing, some wider lettershapes, and a taming of Klavika’s very distinctive ‘k’. In the same way that Facebook represents the culture and technology of a decade, Klavika does the same for typeface design — well crafted but blatantly simple, monolinear, square, nearly devoid of any calligraphic ancestry.

The Social Network film, in turn, uses Klavika (along with Futura) for its logo and promotional graphics. It’s an expected and obvious choice, but it works well. It says “Facebook” without having to say it outright.

“The Social Network” opening title, via the Movie Title Stills Collection.