Collaboration between the Biarritz-based illustrator Clémence Gouy and the French postal services La Poste for a limited edition stamp book with twelve zodiac-themed illustrations.

Clémence says:

Stamps books often represent various aspects of French culture, so I wanted something stylish and a bit sassy and had a blast digging into fashion editorials and 70s astrology ephemera as an inspo source.

She used Pouler from Alexandre Créquer as the main typeface for this project, with the zodiac sign name on each stamp, and a stretched version for the title of the stamp book. Syne from Lucas Descroix, available on Google Fonts, is also used.

Maldita Envidia (meaning “Damn Envy”) is a Mexican dressing brand whose visual identity, crafted by Guadalajara-based Estudio Cariño, playfully subverts the concept of envy, framing it as a positive drive for culinary discovery. The branding is designed to stand out on crowded retail shelves, drawing inspiration from the high-contrast, hand-painted cardboard signs found in traditional Mexican street markets.

For its brand identity, the studio says:

The graphic identity was developed the same way a dressing is prepared: with small touches—sometimes just a pinch, sometimes bold and dominant.

In order to do that, the wordmark uses Pouler by Alexandre Créquer, with some custom ligatures and a variation on the A for the logotype. In addition, they used Balacar from The Designers Foundry, GT Haptik from Grilli Type, and Quick Writers by Letterhead Studio. GT Alpina carries longer texts.

All This Productions is a boutique production company supporting brands, agencies, and creative teams alike to bring 360° campaigns to life. It is now representing Canada’s emerging photographers and directors.

For their website, Public Address used Chroma (Black) by Source Type, Large (Roman) by Alexandre Créquer, and Plain by Optimo.

Cover and assets for the single “I don’t recognize you anymore” by dubstep music producer Rohaan, released on Oval Records. The visuals are created by Kristian Startari, using the fonts Large (stretched) by Alexandre Créquer and Pinyon Script by Nicole Fally.

Designed in 2025 for the ceramic artist and educator Skander Zouaoui, this visual identity captures the elegant and collaborative atmosphere of his workshop located at Strasbourg’s Port du Rhin. The graphic identity is realized by Margot Cannizzo Lazaro and features a new logotype, a public signing on his workshop, and Riso printed communication supports.

The project is set in Large (designed by Alexandre Créquer) and Fluxisch Else (distributed by OSP-foundry), and was brought to life through Risograph printing by Pierre Faedi at Gargarismes. To ensure aesthetic continuity, the color palette builds upon the workshop’s initial graphic supports originally developed by Florent Vincente.

For its branding, Nomad uses Sagace by Alexandre Créquer for titles and DM Sans by Colophon for texts. This branding takes place from the app to the website and global communication across social media.

The company describes itself as follows:

Nomad is a Brazilian fintech that offers opening of an international account, an international debit card and the possibility of making investments in the US market, in addition to other financial services and products in the USA for Brazilians. Its mission is to offer these services through a simple digital experience with transparent and fair rates.

Personal portfolio website for Vincent Poulet, a Paris-based brand designer and art director currently serving as the brand design manager at Luko. His portfolio showcases a focus on visual identity and storytelling, blending user empathy with high-end graphic design.

For his branding and website, he used Champ by Type Everything paired with Sagace by Alexandre Créquer.

Keith’s Cacao is a specialized platform offering 100% pure, ceremonial-grade Guatemalan cocoa. The site provides premium cacao blocks and educational resources focused on “heart-opening” spiritual practices, creativity, and holistic wellness.

For its branding, made by Kinoto Studio, they used Dave West’s Cooper Nouveau Swash for the packaging headline, Pouler by Alexandre Créquer for titles and subtitles, and Pangram Sans (Mat Desjardins), Trade Gothic (Jackson Burke), and SAA Series for texts.

H.Lab is a studio created by Sinuhé CID, a freelance art director and type designer from Nantes, France. According to himself –

Sinu*Hé is sometimes a bit DIY, but always thoughtful, often in movement, but never aimless, often experimental, but never in a void, often intuitive, but always with perspective and, above all, always trusting the process.

For the branding, the communication and website, he used Large by Alexandre Créquer for titles and Neue Helvetica for texts.

Parenthèse is a free, monthly event open to everyone, dedicated to exploring motion design in all its forms. Each edition focuses on a different theme and features three highlights: a showcase of recent graphic works for inspiration, a friendly meetup with drinks for students, professionals, and enthusiasts to connect, and a rotating “module”, a surprise format that can be a talk, workshop, roundtable, DJ set, or more. The first event took place in Nantes, France, on November 18th 2025.

The artistic direction, including visual identity and motion design, is realised by Koeeb. He used Sagace as the only typeface for the whole identity, designed by Alexandre Créquer.

This type specimen was made as a school project by Tom Choquet at ECV Lille. The editorial specimen showcases Aukera, a typeface by Alexandre Créquer. The fan was produced using screen printing techniques at Mutuelle de la Racle, with the final results captured in photography by Louis Serres.

Visual identity for Studio Soleil, a yoga studio in Brest, designed by Adèle Mahé, who writes:

The logo: a nod to vintage surf fonts, mixed with a touch of “cocktail” on the beach.
The illustrations: variations on the symbol, where the sun becomes Yogis in motion.
The typography: ultra bold, to break with the codes of the sector's thin and sensible fonts.

Inspired by movement, bodies, the sun and the ocean, this identity embodies a yoga open to everyone — free and alive. Here, there is no rigidity: only breath, intention, and fluidity.

Adèle used Mosa Black for the logo with a customized S, designed by Alexandre Créquer. Other texts are set in Velvelyne from Velvetyne and Rethink Sans, available from Google Fonts.

The script used on the flyer is Oooh Baby by Rob Leuschke.

ALLIAGES – Poétiques et perspectives de décentrement face aux impacts du colonialisme ("Poetics and Perspectives of Decentering in Response to the Impacts of Colonialism") is a booklet produced for an exhibition at Musée L in Louvain-La-Neuve. Designed by Walid Jaafria, it explores cultural and material “alloys”, the entangled legacies, resistances, and creative reworkings that arise where colonial histories meet local knowledges.

The booklet is designed with Large by Alexandre Créquer for titles and Venus+ Plomb by U+270D for body text.

Large in use by Simon Conus in animated posters for La jetée, by the French artist Asinine. The animation relies on mixed-media techniques, with footage from a concert by the artist. The text displayed is the track listing of the EP.

Front and back cover for the 11th issue of Mosaïque magazine entitled “La fabrique du silence”. The artistic direction behind the covers and the magazine is realised by Alexandre Créquer, the 3D work for the padlocks and keys are created by Valentin Gaubert and Yann Genty. The title is set in Mosa Thin, while the subtitle and additional information appear in Neue Haas Grotesk. The logotype is a custom lettering designed by Alexandre Créquer.

TeamFirst is a community-driven platform in Japan focused on fostering both individual careers and company growth. It unites forward-thinking professionals—bilingual talents included—and innovative companies via events, mentorship, and recruiting services.

For their rebrand, nowthen used Sagace as the main typeface, paired with Hauora Sans Medium for text.

Cooking Stuff Vol. 2 – Summer is the second installment in Marcella Cooking Stuff’s recipe series, featuring seventeen estival dishes and three cocktails across 94 pages, accompanied by 74 photographs.

The book is designed with Sagace, used throughout for both titles and recipes.

Cover art for the single “Prayer in C” by Lilly Wood and The Prick, featuring Adanowsky. Graphic design by Alexandre Créquer and Léa Garait, with a photograph from Mary Taillefer. Set in Mosa Thin, with an overlapping double O and rare ligatures for RA and FT.

Transferts / Glossaire is an exhibition highlighting the convergences and dissonances in the work of thirty artists who have developed their practice within the workshops of Césure, a space supported by Plateau Urbain in collaboration with Yes We Camp, Aurore, and Emmaüs Campüs.

The graphic design and signage of the exhibition was made by Emma Kaleta, using Large (roman and italic) from Alexandre Créquer together with Margot by Dave Rowland.

Graphic campaign for the Jornada D-Generades 2025 at Disseny Hub Barcelona, designed by Sin Título-1. The campaign delves into the tension that arises in society when established conventions are challenged. It focuses on the discomfort inherent in disrupting traditional patterns and the natural resistance to the new and different.

The typefaces used are Large, in Roman, designed by Alexandre Créquer and Neue Montreal Mono, designed by Pangram Pangram.

The creative direction, art direction, and graphic design were led by Studio Sin Título-1. The motion graphics were animated by Ana Collantes, and the event photos taken by Pep Herrero. The clients were Barcelona Design Hub and Barcelona City Council.