all these open windows, but no fresh air
Contributed by Svenja Eisenbraun on Aug 15th, 2018. Artwork published in
circa August 2018
.
Half-title
The book all these open windows, but no fresh air was designed as part of a master thesis project at PBSA Düsseldorf. It deals with the cultural consequences of digitization. In order to give this research project a certain look of neutrality, the superfamily Suisse was chosen. It does a good job: the neo-grotesque typeface follows the Swiss neutral style, but has many subtle differences. Whether using the monospaced, sans-serif or serif style, the three typefaces work together harmoniously and help to structure the book.
Photos: René Schiffer
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